Cemetario General is one of the largest cemeteries in Santiago, Chile. Patio 29 is a plot used to bury the disappeared, the homeless, the unidentified, and victims of the Augusto Pinochet military dictatorship.
What’s left of them is arranged in boxes,
fifty or so line a wall.
He turns off the leaf blower,
passes a woman kneeling, her head lowered.
Even in death there are mansions.
Glass criptas encasing tías.
He coaxes leaves away
from the marble structures.
In a narrower section
ice cream and chip vendors push their carts.
Crowded together are plots of dirt, maybe some hierba,
a Nescafé bottle filled with wilted hydrangea.
He asks families to give more.
Sometimes there’s no response. So he digs up the land
and transfers what endured to a mass plot, Patio 29.
He’s so close to the body then, touching its bones.
At home he holds his esposa’s hips
as she cooks dinner, the smell of her sweat and the humitas
mixing in the kitchen air,
holds her as she undresses and they lie down together.