BRUCE GUNTHER – AFTER PAZ

After Paz Words sifted througha pail of pebbles.My mind overrunby thoughts unleashed.Day and night splitby a seam throughwhich dusk travels.I write letters tofaded memories,to resentmentsand their knives.Words as scatteredas the voices ofmany songbirds.One page isn’t enoughbut two are too many.Words. Voices.Memories hid in darkcorners, behind bookshelves.Wait for them untilthey pull you betweenpast and present.

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GRANDPA’S MOOSE – JAMES LIMON

GRANDPA’S MOOSE the wind ripples the water in ways that make it resemble the mountains that surround it.the peak’s shadows overhang the low valleys we fish in.across the lake, green shrubbery hides the lurking moose, moving silently til he nears our ears.we are in his land, his home.we are merely invaders to the beast, invaders […]

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The 10 Commandments of the 2022 Teen Creative Writing Club of South Central New Mexico

The 10 Commandmentsof the 2022 Teen Creative Writing Clubof South Central New Mexico 1 anything can be poetry2 encourage others and be yourself3 things aren’t all black and white4 bad writing is better than no writing5 it’s not all about white men6 love your writing because it’s yours7 don’t forget this is a way out8 […]

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INAUGURAL KAREN TRUJILLO POETRY CONTEST – CLASS OF 2022 – THE WINNERS!

THE LIES ARE BEFORE THE FOOTHILLBy Melaina L. Mittel3rd place I want to tell you all a thing hereA tragic thing that defines my characterSomething that awakens even in dusk’s dawnSomething that can make an ego out of itselfSomething that can bring you and the others downAt the crack of daybreakSomething that defines my unfortunate […]

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A RARE AND DIFFERENT TUNE – A PRE ORDER OPPORTUNITY FOR OUR READERS

Forthcoming from Beatlick Press in September 2021 “In his stunning sophomore effort, The Pieces You Have Left, Tim Staley brings you to the woods and asks you to stay the night. In this moving and fast-paced collection, Staley touches on an array of subjects–space travel, love, fatherhood, masculinity, death, solitude, youth, and dementia–delving deeper than ever […]

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MICHAEL LEE JOHNSON – VODKA OMELET

Vodka Omelet
 
Make it clear in my mind, Jesus,
am I whacked-out on Double Cross Vodka
or have I flipped out calling myself
Limburger omelet chef?
I hate question marks and angels
with crazed wings.
You know the type, John the Baptist
toking weed, stoned out of his mind, storyteller,
foul smells from poor hygiene, eating habits
open mouth, swallowing grasshoppers,
so silky, smooth as sweet honey.
Add 3 eggs in a skillet, Parmesan/Romano blend,
2 cheeses add-on, shiitake mushrooms, turmeric,
chopped kale, hint hot chili peppers, cheers.
Scramble me, I’m cracked.
I rock faith in jungle music, dance nude.
Everything is a potential poem to me.
My omelette, my life, my booze, master cook,
vodka
omelet
2:38 a.m.
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JOHN TUSTIN – 2 POEMS

DRUNK AND HELPLESS IN THE DARK
 
Some of us lie
Drunk and helpless in the dark
Waiting for the angel that never comes
Because there is no her
Beyond the sad spiraling reveries
Of the drunken insomniac
Smiling wanly in the glow
Of a halo
That exists only
In his
Fevered
Imagination




HUMANITY IS DOOMED
 
I heard the birds that chirp at night
And I saw the cats under the tree.
I know the cats need to eat
And I know the birds want to live.
 
So here I am
In the parking lot of a Walgreens,
Rooting for nothing.
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JON HUERTA and TIM STALEY -POETRY INSTRUCTION BATTLE – HOW TO WRITE ABOUT A SPECIFIC PERSON

POET STALEY’S TOP 10 RULES FOR WRITING ABOUT A SPECIFIC PERSON

1
allow yourself to acknowledge that you care about someone
then sweep that someone out of your mind
and onto the pages of your journal

2
dump the dust pan of that person
as fearlessly, honestly and quickly as you can

3
surround that person with the concrete nouns
that person surrounds themselves with
then deliberately inject action verbs
or slip them in when no one’s looking

4
keep writing everything you can about that person
not worrying about the direction your writing is going,
try rhyming about that person,
try listing things about that person,
try moving that person around in time,
try writing from that person’s point of view

5
describe the person as though you’re describing the details of a photo

6
let your journal pages marinate overnight in the refrigerator or at room temp

7
cut away all the lame stuff
cut away all the stuff that doesn’t deeply satisfy your aesthetic
cut away the stuff you put in there just for the teacher
cut away anything you’ve heard or read before

8
replace boring verbs with better ones
cut away all the fake words
sprinkle in literary devices until a poem appears
(if no poem appears repeat steps 1-5)

9
break your lines. make it look like a poem. not a paragraph.

10
proofread and read out loud and tweak and fix and submit

~~~

Huerta’s rules about writing about people you know and people you don’t

1.  Conversations about a past event will entice the reader to forge ahead.

2.  Objects around the poems location bring realism to your story and will build a bond between you and the reader. Common household products and animals, for instance, are worthy objects. Politics and trauma are questionable. 

3.  Never write about your feelings or love loss. You’re better than this and no one cares.

4.  If writer's block is something you are suffering from, try your hardest to live in the present with an unapologetic eye for your surroundings. Read the room, write it down. Repeat.

5.  Creating a mad lib style game will force your imagination. Pick up the daily paper and create a story using the police blotter and your comrades. 

6.  Always mix imagination with reality. Because the best shit happens when the fresh river meets the salty sea. Where the tears from your fears clash with consciousness to create a story worthy of telling again and most importantly for someone else to repeat it.
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