R A RIEKKI – 5 POEMS

The

My girlfriend told me her least favorite word is ‘the.’
I asked why. She didn’t know. Said words like ‘pool’

and ‘mouth’ and ‘night’ would kick the’s ass.
But it’s ‘the pool,’ ‘the mouth,’ ‘the night, I said.

Not necessarily, she said, it could be ‘our pool’
or ‘her mouth’ or ‘six nights.’ She went to work.

I sat there thinking about ‘the.’ I looked at ‘the lamp’
and ‘the couch’ and ‘the crack in the ceiling.’

So many the’s in the room. But all of them over-
shadowed by nouns. I looked at a shadow

in the corner. I thought of all of the evil of the world.

~

I Worked Eighty Hours This Week

I worked ninety hours once. On an ambulance.
I had a co-worker who fell asleep once,
driving the ambulance. You only do that once.
But he didn’t get fired though. By the way,
he told me he worked one hundred hours
that week. That’s what you do when you make
minimum wage. A lot of people don’t realize
you make minimum wage on ambulances.
Those ambulance companies rake in billions.
Five thousand dollars to take you from one city
to another city just two cities away. Five grand.
I remember one night when we were waiting
for a call. We were parked near some
telephone wires and a crow came and landed
on the wires and got electrocuted. We were
right there, staring, right at it, like we were just
waiting for it to happen. Strangest thing ever.
My partner called dispatch and reported it.
I remember him saying, just in case any kids
go near it. He hung up. I said, Kids can’t fly.
Then our radio went off. We had another call.
It was for a guy who sat on a pen. When we
got there, the pen was sticking out of him
like a little tail. He asked if he should yank
it out and we yelled no, that it was acting
like a cork. A cork? Yeah, a cork, I said.

~

On the Phone, My Mom Told Me I Should Write a Poem about Working with Coronavirus Patients

I said it’d be a boring poem.
She said, no, that’s not true at all.
I said that all I see is fog, that my mask
fogs up my glasses so I can’t see anything
all day long. I’m in the back of the ambulance
and we just drive them to where they need to go
and I can’t see nothing.
She said that I was exaggerating,
so I took a photo of myself
with my glasses fogged over
like the clouds at the top of mountains in places so high up you can see both heaven and hell at the same time.

~

My Dad was a Good Dad

He told me one time
about coming home
as a kid and finding his mother
passed out
on the kitchen floor.
He thought she was drunk
again
so he pulled her down the hall
to her bedroom and
tucked her in
and it wasn’t till the next day
that he realized
she was dead.
My Dad was a good Dad.
When I worked in the prison system
as part of the nursing station
one prisoner threw his piss
in my face.
He had saved it in a cup.
I remember
after I washed my face
in the prison bathroom
for like a half hour,
not joking,
I looked up,
my hair all wet,
just sopping,
looking like I’d been crying
at the bottom of the ocean
and I smiled,
because I was alive.
My Dad was a good Dad.
That’s all I have to say.

~

I’m Old and I Don’t Make Much Money so I Am Forgotten But I Write to Tell You I Exist Too and the Casino Near My Old House Where I Grew Up Caught Fire

so I went and looked at the ashes
and it made me think of when I was at the guard gate
in the hills
in California
where I’d just stand there
for hours
and hours
and hours
every night and
during the fires there
the ash was falling horizontal
like the world was tilted on its side.

 

 

FIND RON HERE

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CAROL CASEY – 2 POEMS

Navigating the Ocean

I crave you like oxygen sometimes,
as if I couldn’t breathe without you and
this terrifies me, makes me want to
push you away, prove something,
find the key that unlocks this tether, set
you free, to go away but come back, choose
as if there was a choice,
as if I could become amphibious, grow
some gills, maybe a tail to navigate
the oceans of the loss of setting you free and not
drown; or possibly build a raft, to float above,
but not so far that I’ll miss your hand reaching
up out of the water to come aboard, in case
I can save you, as humans rarely do;
or maybe there will be a sunset and a night
when the ocean grows moon and stars
while a gentle current transports me to
somewhere my love for you is not so full
of need, will be refined of dross, capable
of anything.

The phone is ringing.
Maybe it’s you.

 

~

Spoiler Alert

There’s no escaping the constant whirs,
hums, chugs and buzzes of summer,
like birdsong, in variety and nuance,
but less conversation, more dictation,
as if to an old fashioned stenographer-
get this down, condense the languorous
signals of summer to shorthand,

We shorten grass, shrink hedges,
embarrass pieces of wood with hammers,
(to drown out the woodpeckers)
interrupt the lifespan of recalcitrant
weeds, till them under, nip and tuck.
Each hum, buzz, whir, chug
a jigsaw piece of putting nature

in her place, a pissing upon,
a tiny fist raised in defiance of ice-
storms, blizzards, microbes, death.
We oil and tighten, plug in and refuel
until the entropy of it catches up
in the end while the birds have
their say during the intermission.

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Alexus Erin – MAKING SANDWICHES

Making Sandwiches

Me & my brain are making sandwiches for the first time in years
& I remember
I like sourdough. I wonder
whose hands made the bread & if this cooking,

this creation, is a kind of holiness. My brain laughs.
We’re having a sleepover on a school night
& I wonder
whose mother authorized it

By the grace of God
I am with my brain
& by the grace of God,
this brain’s a scrappy one

Which is to say, she is still sprinting: I’m impressed-
she did a lot of math this month. I joke that
she looks like she’s here
to eff the party up.

Brain tells Body (my body’s here too)
The first rule
of any effective love practice
is to synthesize its thoughtwork

with its bodywork: “Classic
substance-presence query, honeybee,” she sighs
& I know
that sigh was for me

I tell them, “First rule
of the big city
is to mind ya own damn business.” My body sets up
a cot at the foot of my bed

Gingerly removes her stockings, that they won’t rip
& I know
mishandling must be a violence
in which the body keeps score. She, of all people,

must be keeping score- I could stand
to learn a thing or two from this inclination
of tenderness, alone
My mouth, every morning,

famously reaching,
rooting ‘round any regional iteration of the daylight
To inhale a verbose evidence
& then exhale, like

my photosynthesis must be scheduled
to kick in any day now
As though this were the only thing
I knew how to do

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Latha Kottapalli – An Ode to Black Gold

An Ode to Black Gold

Roots pulled from hiding

Soothe my soul like soup.

Into you, I empty their skins.

Crucifers crisped to crunch,

Laced with lemon, linger on my tongue.

Into you, I empty their stalks.

Egg whites whipped to stiff peaks

Greet my lips with kisses of meringue.

Into you, I empty their shells.

Coffee beans roasted to an aroma

Titillate my nose to chase the whiff.

Into you, I empty their grounds.

Drupes drooping from stems

Satiate my sweet tooth.

Into you, I empty their stones.

Autumn’s burst of hues,

A muse for my eyes.

Into you, I empty its leaf litter.

Into you, I empty all the refuse.

Off you stir and cook them to a new birth.

Lo and behold, Black Gold tumbles out.

Gold that crumbles to the touch.

Smells like the parched earth

When kissed by the first rain spells.

Gold that soaks up like a sponge, springs up

As the roots, stone fruits, and all that nourishes.

O Earth, your kindness knows no bounds.

 

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Margaret Wagner – A GIRL ON HER BOARD

A GIRL ON HER BOARD

She rolled on the sidewalk at dusk,

the wheels of her skateboard whirring.

She bent without effort,

feet tucked under knees

in a pose I’d never seen.

Gray leggings popped out of pink high-tops. Maroon lips,

aubergine nail polish, metal hoops dangled from her ears.

Her chin rested on her long arm. One bare shoulder

slipped out of her oversized black cardigan. She flew

past cherry blossoms, absorbing cracks in equal measure.

Gliding in her own momentum,

never intending to forget her flow,

she followed her beat wherever it led her.

Was this the starting gate of her velocity

or the peak of it?

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John Dorroh – “It’s Probably More Than Colitis”

It’s Probably More Than Colitis”

I like a woman with a clean colon,

the way she starts telling stories

at the end

and works back toward the beginning,

expecting me to connect all the dots.

She takes her temperature every hour,

tells me the results, wants for me

to tie a knot with my swollen tongue

in her cherry

stem. The french kiss should have been

the second best clue

that we wouldn’t click, at least not like that.

I can cuddle like a fish with the best of them,

but sometimes we have to be satisfied

with a flag at half mast. You can always

use tulips to brighten the

room. We fidget in the clinic for an hour

before they call her name.

She refuses my hand, gives me an orange-lipped

piranha smile, and disappears into the

blue-white light.

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JAMES P. ROBERTS – 3 POEMS

FLOW POETRY IN HUE, VIETNAM

                                                        for Adam

You speak to your ancestors
lying in shallow graves
mulched over by jungle.

You speak to alligators
and elephants, creatures
life spans longer than yours.

You speak to huddled mothers,
black-eyed babies who utter
never a word or cry.

You speak to bamboo winds,
hollow temples, dynasties fallen
and long forgotten.

You speak to fog-shrouded mountains,
roiling muddy Mekong River,
a black market dog tag.

You speak to rows of mildewed books
in a dozen languages, histories
yearning to be heard.

The raucous birds speak to you:
Go back home or we will use your dreads
to feather our lonely nests.

AND IF PAIN BECOMES A POEM . . .

I am full of poetry.
Poetry screams from every pore of my body.

My right ankle cracks poems so loudly
a microphone twenty feet away picks up the sound.

My left elbow tightens hard enough
I cannot bend it to write a poem without a rough

shake. Electric pings course through my chest,
irregular rhythms, like free verse, thrum inside a fat breast.

(man tits . . . the worst kind of poetic pain!)
Clumsy fingers struggle to write a refrain.

Dimming eyes spill tears, these inky words,
bright flashes of images vanish, go unheard.

Yes, I could continue this medical literary litany
and if pain becomes a true poem, I will die saintly.

COWARDS

I see them on the news.
The scary people.
The scared people.
The people who think of nothing
but themselves.
Who watch as the chaos mounts.
The people who have built
their survival tombs,
stocked with enough food and ammunition
to last as long as necessary . . . until
the last not-one-of-us has fallen
and they can come out again.
These are the cowards.
The true cowards,
for they have the means to change
the situation,
to take charge
and avert the damnation.
But they won’t.
Because they are hollow.
They are too selfish.
They are too scared.
It is their own fear
that will doom them.
They will become nothing
but shadows
wandering
a destroyed land.

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POETRY: MARLENA CHERTOCK – CEMETARIO GENERAL

Cemetario General

Cemetario General is one of the largest cemeteries in Santiago, Chile. Patio 29 is a plot used to bury the disappeared, the homeless, the unidentified, and victims of the Augusto Pinochet military dictatorship.

 

What’s left of them is arranged in boxes,
fifty or so line a wall.
He turns off the leaf blower,
passes a woman kneeling, her head lowered.

Even in death there are mansions.
Glass criptas encasing tías.
He coaxes leaves away
from the marble structures.

In a narrower section
ice cream and chip vendors push their carts.
Crowded together are plots of dirt, maybe some hierba,
a Nescafé bottle filled with wilted hydrangea.

He asks families to give more.
Sometimes there’s no response. So he digs up the land
and transfers what endured to a mass plot, Patio 29.
He’s so close to the body then, touching its bones.

At home he holds his esposa’s hips
as she cooks dinner, the smell of her sweat and the humitas
mixing in the kitchen air,
holds her as she undresses and they lie down together.

Find her at marlenachertock.com or @mchertock.

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poetry: Joseph Somoza – Hasta La Vista

Hasta La Vista

Here I find myself again,
in the company of
trees and sunshine,
a quiet workday morning.
It’s like emerging from a tunnel
where my mind was cloyed
with mundane matters such as
providing food, doing dishes,
and having to
respond to others—

who are my family,
who have gone back now
to being themselves
in the far distance where I can
make out the details better,
hear their words more clearly
in the sparse air between
here and there, as if minds can’t
co-exist in close proximity
and must always be
sent on their way.

Order Joseph Somoza’s new volume of poems As Far as I know (Cinco Puntos Press, 2015).

 

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POETRY: JAMES JACKSON – SPACE JUNK

SPACE JUNK

After the breakup, our phone conversations
become space debris, steel pieces hardly
discernible hurtling haphazardly at five miles

per second. Where do the scraps go?
The gold taste of summer will impact the brain
and puncture, enflame. We wish to assist

the start-ups who seek to construct
machines to eliminate wayward spares
of satellites trapped in the gravity of a body,

propel its dust into the atmosphere to burn.
We drift wary of small artifacts
from failed missions to emerge

in the distance of night to strike
and make split into fragments
we will never assemble again.

Find James Jackson Online.

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