NATURE POEM – MADISON STONE

The swarm of buzzing continues down the road. The way it hums startles the silence, stirring around the surrounding eco system. The way the cottontail’s ears twitch every second of every beat the gray fox’s paw fall onto the red sand. The lack of silence disturbs the yucca as it raises its stem high in […]

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Gaby Bedetti – 2 POEMS

Motion

You speed through

the Minotaur’s labyrinth

hoping to avoid the monster.

The motor responds.

You have another

someplace to go.

You look into the wind,

a lop-eared hound

head out the window.

Complicit,

the GPS tracks your

departures and arrivals.

In your sonic life,

you are the hip hero pointing

toward the next adventure,

the lover with the ball
of thread to navigate

​the labyrinth.

~

Her Final Email

 

Days you stayed in bed.

Migraines. Texas heat

and medications

made you sweat. And then

another week had slipped away,

unlike your chores and wishes.

 

At your desk, a compost heap

of essays. You even began grading

and then Shadow would sigh

to say it was past feeding time

and you abandoned them. You called

him the best dog in the present world.

 

One son announced he was moving back

so you removed the sewing machine

from his room. You then grew angry

with your husband for leaving.

The other son mentioned downsizing

and you heard nursing home.

 

Your grandchildren were delightful.

In your final email, you acknowledged

you were lucky, but only so far.

And soon after, the fatal dose.

We could have reunited,

here in Kentucky or there in Texas.

 

We could have remembered,

and renewed, our luck.

 

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ANDREW HUBBARD – 2 POEMS

Sharing the Bathroom

I over-analyze everything

I know it’s true

(And you’ve told me enough times.)

But why on earth

Would I find it sexy

To watch you shave your armpits?

Knowing me you won’t be surprised

To find I made a list:

  • Because everything you do is sexy
  • Because you touch yourself

With such unconscious concentration

  • Because you say you do it

To look pretty for me

  • Because I love the smell of your hair
  • Because it’s something nobody else

Sees you do

  • Because it’s commonplace

And mysterious and intimate

All at the same time.

  • And because the lines of your raised arm,

Your neck, and your wrist

Make me think of a Rodin sculpture.

~

Turn Down the Lights

Hey, it was more than kind of you

To come home with me

And you so much younger

And thinner and all.

And I’ll do my best

Not to disappoint you.

Honest to God, if I disappoint you

I don’t think I’ll ever

Go to a bar again.

But hey I’m going to be honest,

Only because there’s no alternative:

I look better dressed,

So I’m going to turn down the lights.

Those horrible white curvey smiles

On the skin behind my thighs,

They’re from the hip replacements.

The thick-soled shoes

Just bring me back

To the height I used to be.

I joke that my ears pop

When I take them off,

But it’s not that bad.  Yet.

I’m not tearing my eyeballs,

I’m just taking off my contacts.

Hopefully you can’t see me

The same as I can’t see you.

Now excuse me, I’m going to the bathroom

To take some pills.

The flatulence ones work pretty well

And the little blue one

Had damn well better work.

What’s that look you’re giving me?

It better not be

The “I-made-a-mistake” look.

I have many fine qualities.

You said so yourself

Not two hours ago.

Now hang on,

I’ll be right back.

SEPTEMBER 2018

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Latha Kottapalli – An Ode to Black Gold

An Ode to Black Gold

Roots pulled from hiding

Soothe my soul like soup.

Into you, I empty their skins.

Crucifers crisped to crunch,

Laced with lemon, linger on my tongue.

Into you, I empty their stalks.

Egg whites whipped to stiff peaks

Greet my lips with kisses of meringue.

Into you, I empty their shells.

Coffee beans roasted to an aroma

Titillate my nose to chase the whiff.

Into you, I empty their grounds.

Drupes drooping from stems

Satiate my sweet tooth.

Into you, I empty their stones.

Autumn’s burst of hues,

A muse for my eyes.

Into you, I empty its leaf litter.

Into you, I empty all the refuse.

Off you stir and cook them to a new birth.

Lo and behold, Black Gold tumbles out.

Gold that crumbles to the touch.

Smells like the parched earth

When kissed by the first rain spells.

Gold that soaks up like a sponge, springs up

As the roots, stone fruits, and all that nourishes.

O Earth, your kindness knows no bounds.

 

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LANCE GAMBRELL – THERE IS STILL TIME

There Is Still Time

There is still time, to park at Marc and Vic’s.

I don’t care what they say, I love summer best, in Las Cruces. Better yet, stop the time machine at Tim and Suzanne‘s, in the summer of dub.

Half of my friends, work for a shitty local pizza chain. The others work for the dream machine called academia. Arguing about another Pablo Neruda poem. And the value of locally sourced Pabst Blue Ribbon.

I wake up due to declining levels of ABV.

Lucas is about to go to work because we’re done poking his Suzuki 50cc belly. But, I’ll be back, for dollar lunch, and my first class at 11:30, still AM.

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ROBERT OKAJI – I DANCED WITH A PLATYPUS TWENTY YEARS BACK

Which is of course a metaphor pointing out

disparities in function and form, and the dangers

inherent in assumption: despite its cute appearance,

the male platypus delivers venom through an ankle

spur on a hind limb; samba with one at your own

peril. My friend wanted to build a catapult, but I

convinced him that trebuchets more efficiently

demolish walls. Instead, he experimented with atlatls,

before reverting to his favorite compound bow. The

fly swatter remains my weapon of choice, followed

closely by steel toe boots. I have yet to meet a scorpion

whose armor could withstand them, but I would never

stomp a platypus without first determining its intentions

and seeking mediation, perhaps through handwritten

correspondence. Pencils owe their origin to the lead

stylus, which eventually morphed into the wood-cased

graphite tool we now use. In his day, Thoreau was better

known for pencil-making than cabin-building. Arthritic

joints prevent me from writing by hand, but I saw lumber

when necessary. According to Ovid, Talos, nephew of

Daedalus, invented the saw, using either a fish jaw or spine

as the model. I look at my food before eating, but the

platypus dives with closed eyes, and locates meals by

detecting electric currents through its bill. In considering

form, I assume function. But we know what that means.

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POETRY: MARLENA CHERTOCK – CEMETARIO GENERAL

Cemetario General

Cemetario General is one of the largest cemeteries in Santiago, Chile. Patio 29 is a plot used to bury the disappeared, the homeless, the unidentified, and victims of the Augusto Pinochet military dictatorship.

 

What’s left of them is arranged in boxes,
fifty or so line a wall.
He turns off the leaf blower,
passes a woman kneeling, her head lowered.

Even in death there are mansions.
Glass criptas encasing tías.
He coaxes leaves away
from the marble structures.

In a narrower section
ice cream and chip vendors push their carts.
Crowded together are plots of dirt, maybe some hierba,
a Nescafé bottle filled with wilted hydrangea.

He asks families to give more.
Sometimes there’s no response. So he digs up the land
and transfers what endured to a mass plot, Patio 29.
He’s so close to the body then, touching its bones.

At home he holds his esposa’s hips
as she cooks dinner, the smell of her sweat and the humitas
mixing in the kitchen air,
holds her as she undresses and they lie down together.

Find her at marlenachertock.com or @mchertock.

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poetry: Joseph Somoza – Hasta La Vista

Hasta La Vista

Here I find myself again,
in the company of
trees and sunshine,
a quiet workday morning.
It’s like emerging from a tunnel
where my mind was cloyed
with mundane matters such as
providing food, doing dishes,
and having to
respond to others—

who are my family,
who have gone back now
to being themselves
in the far distance where I can
make out the details better,
hear their words more clearly
in the sparse air between
here and there, as if minds can’t
co-exist in close proximity
and must always be
sent on their way.

Order Joseph Somoza’s new volume of poems As Far as I know (Cinco Puntos Press, 2015).

 

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JD DEHART – FASHION SENSE

Fashion Sense

 

Coming to terms
with the fact that a loop
of metal will probably
never grace my ear
or nose –

 

Despite the way some people
absorb neon, fashion themselves
with tattoos, swim in their own
soup of counterculture,
figures out of a science fiction
self-made landscape, who
make rips and scraps converge

 

I am much more likely to be
found in a soft T-shirt, or couched
in corduroy, nursing a tattered
book as if it might solve my universe.
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poetry: catherine wolf -hack attack

Hack Attack
Finally! Obama shot back at the Russian hackers
who attacked our computers, the Democratic National Committee,
Hillary’s email, and just fun Vermont’s power grid.

But shot with a BB gun, it could shoot someone’s eye out,
leaving him dazed and bloody, not like a nuke
which could destroy a country or a world,
leaving the scent of smoke no creature could smell.
Obama, did you smell the flaming planet?

Trumpeter tweeted Putin putting off his own retaliation,
shining “very smart.” Treason is giving aid and comfort
to an enemy. Is the president-elect dipping
into treason like chocolate mousse?

Trumpeter sided with WikiLeaks founder
who said “Nyet, not a Russian hack.”
Does dumpy Trumpy want to build a golf course
in Siberia? It’s all about money.

With his glowing bare muscular chest,
Putin must have a dozen women
Trumpet can grope.

~

Bio
Catherine G. Wolf studied language development in graduate school, and was fascinated by this unique human ability. In 1997, when she was stricken with ALS, also known as Lou Gehrig’s disease, her ability to speak was taken away by this disease. She found poetry had a special capability to express her innermost feelings. By losing her physical voice, Catherine found her poetic voice. Catherine has published in the 2016 Rat’s Ass Review edition of Love & Ensuing Madness, Rat’s Ass Review, Front Porch Review, Verse-Virtual, Cacti Fur, and Bellevue Literary Review. She uses assistive technology to communicate, and raises her right eyebrow to type.

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