Alexus Erin – MAKING SANDWICHES

Making Sandwiches

Me & my brain are making sandwiches for the first time in years
& I remember
I like sourdough. I wonder
whose hands made the bread & if this cooking,

this creation, is a kind of holiness. My brain laughs.
We’re having a sleepover on a school night
& I wonder
whose mother authorized it

By the grace of God
I am with my brain
& by the grace of God,
this brain’s a scrappy one

Which is to say, she is still sprinting: I’m impressed-
she did a lot of math this month. I joke that
she looks like she’s here
to eff the party up.

Brain tells Body (my body’s here too)
The first rule
of any effective love practice
is to synthesize its thoughtwork

with its bodywork: “Classic
substance-presence query, honeybee,” she sighs
& I know
that sigh was for me

I tell them, “First rule
of the big city
is to mind ya own damn business.” My body sets up
a cot at the foot of my bed

Gingerly removes her stockings, that they won’t rip
& I know
mishandling must be a violence
in which the body keeps score. She, of all people,

must be keeping score- I could stand
to learn a thing or two from this inclination
of tenderness, alone
My mouth, every morning,

famously reaching,
rooting ‘round any regional iteration of the daylight
To inhale a verbose evidence
& then exhale, like

my photosynthesis must be scheduled
to kick in any day now
As though this were the only thing
I knew how to do

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Douglas Collura – Her Third Date After a Twenty-Five Year Marriage

Her Third Date After a Twenty-Five Year Marriage

 

 

She says, “Look. The rain’s harder now.”

I say, “Yes, but the theater’s close.”

She thumbs a path across

her melting glass.

 

Her daughter in third-year law.

Her granddaughter a swan.

When did I say I believed

in anyone’s tomorrow?

 

Her cupped hands; lines

connect, curve, cross,

predict nothing. She stares

into the passing moment.

 

“I never thought I’d be this person,”

she says, “never this alone.

I’m afraid sometimes, though

it’s nice not to be second guessed.”

 

My bedroom a chaos of shadows.

She’s unsure what comes next.

Then her legs clamp my hips,

and her mouth finds my neck.

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Margaret Wagner – A GIRL ON HER BOARD

A GIRL ON HER BOARD

She rolled on the sidewalk at dusk,

the wheels of her skateboard whirring.

She bent without effort,

feet tucked under knees

in a pose I’d never seen.

Gray leggings popped out of pink high-tops. Maroon lips,

aubergine nail polish, metal hoops dangled from her ears.

Her chin rested on her long arm. One bare shoulder

slipped out of her oversized black cardigan. She flew

past cherry blossoms, absorbing cracks in equal measure.

Gliding in her own momentum,

never intending to forget her flow,

she followed her beat wherever it led her.

Was this the starting gate of her velocity

or the peak of it?

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MARC CARVER – CURTAIN TWITCHERS

CURTAIN TWITCHERS
As I run the day to begin it
the sun comes up and I want to get out before anybody sees me and sees I have used up my quota for the day.
I think I can go out the front way once and out the back way the other time and no one will see me. Maybe I can sneak out two or three times in a day before all the curtain twitchers see me.
It is only a matter of time before the have a hot line.
I saw him going out again twice yesterday and three times on Monday.
People

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Sal Marici – As We Wait for His Transport to Cremation

As We Wait for His Transport to Cremation

                      

George’s body lies in bed

mouth ajar. His skin

each minute turns

in a shade of white

paler than before.

 

In front of his grandpa’s corpse

grandson flips through tropical shirts.

The few items George’s daughter

did not pack for me

to take to Goodwill.

 

Grandson picks one. He pulls

his t-shirt over his head.

Slips his arms through sleeves.

When buttons fasten holes

birds, flowers align.

 

A friend of George

who has the same name

who influenced George’s poetry

wears a tropical shirt he selected

from the stack.

 

George would smile

if he could see them

wear him.

But he said no afterlife exists.

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John Dorroh – “It’s Probably More Than Colitis”

It’s Probably More Than Colitis”

I like a woman with a clean colon,

the way she starts telling stories

at the end

and works back toward the beginning,

expecting me to connect all the dots.

She takes her temperature every hour,

tells me the results, wants for me

to tie a knot with my swollen tongue

in her cherry

stem. The french kiss should have been

the second best clue

that we wouldn’t click, at least not like that.

I can cuddle like a fish with the best of them,

but sometimes we have to be satisfied

with a flag at half mast. You can always

use tulips to brighten the

room. We fidget in the clinic for an hour

before they call her name.

She refuses my hand, gives me an orange-lipped

piranha smile, and disappears into the

blue-white light.

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Michael Lee Johnson – OPEN EYES LAID BACK

Open Eyes Laid Back

 

Open eyes, black-eyed peas,

laid back busy lives,

consuming our hours,

handheld devices

grocery store

“which can Jolly Green Giant peas,

alternatives,

darling, to bring home tonight-

these aisles of decisions.”

Mind gap:

“Before long apps

will be wiping our butts

and we, others, our children

will not notice.”

No worries, outer space,

an app for horoscope, astrology

a co-pilot to keep our cold feet

tucked in.

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R.T. CASTLEBERRY – 2 POEMS

IMPRESSIONS OF THE SICK HOUSE

I watch in the world,
amused by massacre and gin,
homeland walls, holiday wars.
Viewed from the barred gate
darkened surveillance cars prowl,
aimless under winter afternoon skies.
Cold weather tramps straggle past
construction generators, pavement gaps,
work order water leaks.
I take into consideration
the symbolic and the sin.
I deny memories useless to me—
week-long binges, wives I’ve cheated with.
Unsettled by panic attack, I leave
a dark bedroom for couch and cable tv.
Lessons located in news video,
detention gangs scour migrant dives,
mercados, work warehouse.
I look away, watch the ceiling fan
swirl shadow circles on the blinds.
In jeans, a Steely Dan tour tee shirt,
almost ready for silence,
I allow days clear of music.

 

~

 

SLIVERS
After Creeley’s The Flower
 
I think I layer tensions
like bottles shattered
in ditches the thirsty
refugee hides.
 
Each faulting gesture
blocks breath,
catches in my chest,
cracks knees in a fall.
 
Tension is a wasting blade
It slices that one
and that one
and that one.
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