ANDREW HUBBARD – 2 POEMS

Sharing the Bathroom

I over-analyze everything

I know it’s true

(And you’ve told me enough times.)

But why on earth

Would I find it sexy

To watch you shave your armpits?

Knowing me you won’t be surprised

To find I made a list:

  • Because everything you do is sexy
  • Because you touch yourself

With such unconscious concentration

  • Because you say you do it

To look pretty for me

  • Because I love the smell of your hair
  • Because it’s something nobody else

Sees you do

  • Because it’s commonplace

And mysterious and intimate

All at the same time.

  • And because the lines of your raised arm,

Your neck, and your wrist

Make me think of a Rodin sculpture.

~

Turn Down the Lights

Hey, it was more than kind of you

To come home with me

And you so much younger

And thinner and all.

And I’ll do my best

Not to disappoint you.

Honest to God, if I disappoint you

I don’t think I’ll ever

Go to a bar again.

But hey I’m going to be honest,

Only because there’s no alternative:

I look better dressed,

So I’m going to turn down the lights.

Those horrible white curvey smiles

On the skin behind my thighs,

They’re from the hip replacements.

The thick-soled shoes

Just bring me back

To the height I used to be.

I joke that my ears pop

When I take them off,

But it’s not that bad.  Yet.

I’m not tearing my eyeballs,

I’m just taking off my contacts.

Hopefully you can’t see me

The same as I can’t see you.

Now excuse me, I’m going to the bathroom

To take some pills.

The flatulence ones work pretty well

And the little blue one

Had damn well better work.

What’s that look you’re giving me?

It better not be

The “I-made-a-mistake” look.

I have many fine qualities.

You said so yourself

Not two hours ago.

Now hang on,

I’ll be right back.

SEPTEMBER 2018

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John Anthony Fingleton – Moorlands

Moorlands

A soft wind blew across the moor,
And the heather danced in tune,
Some grouse flew up to test the air,

Then snuck back, into its sweet perfume.
A sparrow hawk circled low,
In anticipation of its prey,
Then attracted by some other thing;
It quickly flew away.

A beauty haunts this desolate place,
With its contours shaped by ice,
Where beasts can still roam wild and free –
A small touch of paradise.
Bracken on the moor-edge slopes,
Mixed flora in the glens,
All produce their radiant colours,
Without the help or seed of men.

The walkers-path is overgrown,
Not many came this year,
The changes in the weather,
Have brought many summer storms to Clare.
There are some patches now of topsoil,
I hadn’t noticed at first glance,
Just a small sign – like so many others –
That we are on our final chance.

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Margaret Wagner – A GIRL ON HER BOARD

A GIRL ON HER BOARD

She rolled on the sidewalk at dusk,

the wheels of her skateboard whirring.

She bent without effort,

feet tucked under knees

in a pose I’d never seen.

Gray leggings popped out of pink high-tops. Maroon lips,

aubergine nail polish, metal hoops dangled from her ears.

Her chin rested on her long arm. One bare shoulder

slipped out of her oversized black cardigan. She flew

past cherry blossoms, absorbing cracks in equal measure.

Gliding in her own momentum,

never intending to forget her flow,

she followed her beat wherever it led her.

Was this the starting gate of her velocity

or the peak of it?

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JOHN GREY – 2 POEMS

THE TRUNK

I nudge aside some old poems

to get at the real poetry:

love letters from a former flame.

I’ve no idea why I’ve kept them

only that I’m a hoarder,

even of affection.

 

There’s something of nostalgia

to them,

like the Marvel comics

in very good condition,

or the copy of Sports Illustrated

with Larry Bird on the cover,

celebrating a championship.

 

The writing is neat,

the passion likewise,

nothing, I’m sure,

like the long-trashed missives

I sent in response.

Reading between lines is called for.

But, to be honest,

I find more neatness,

only it’s invisible.

 

From memory,

there was no great passion

between the two of us.

It’s what comes of listening to Yes together.

And decking ourselves out

in bell-bottoms.

But they’re part of history.

And, to my mind,

must be preserved.

 

But I throw in a few

more useless items,

bury those letters deeper

going forward.

It’s enough to know they’re there.

No place else would have them.

 

~

 

THE CIGARETTE LONG AFTER

A double downer:

I feel dirty as soot,

sheets smell like dumpster fires.

 

And here,

on a motel side table,

one cigarette burns a long, neglected ash.

No need to smoke it.

 

This room’s like a cigarette

with me cocooned inside it.

You and I shared this roadside hideaway.

Years ago.

Before there were flat-screen TV’s.

Before there was flat anything.

 

Now I lie on a lumpy mattress.

staring up at the nicotine-stained ceiling.

 

My teeth grind the grit

of what was once desire.

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Michael Lee Johnson – OPEN EYES LAID BACK

Open Eyes Laid Back

 

Open eyes, black-eyed peas,

laid back busy lives,

consuming our hours,

handheld devices

grocery store

“which can Jolly Green Giant peas,

alternatives,

darling, to bring home tonight-

these aisles of decisions.”

Mind gap:

“Before long apps

will be wiping our butts

and we, others, our children

will not notice.”

No worries, outer space,

an app for horoscope, astrology

a co-pilot to keep our cold feet

tucked in.

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John C. Krieg – The Bells of the Mission Santa Ysabel

The Bells of the Mission Santa Ysabel

The bells of

The Mission Santa Ysabel

Ring no more

To most parishioners still living

They never have rang in their lifetimes

Being stolen in 1925

The whereabouts of the bells are unknown

Yet it’s expected

That this was an inside job

And that the bells are holed up

Not very far away

Forgotten about in some old shed or barn

The parishioners pray

That this is true

That God will work a mid-level miracle

And see to the safe return of the bells

In 1700 Peter the Great

Of Russia

Melted down all of his homelands’

Church bells

To make cannons for warfare

They fired church bell cannon balls

Which killed people

Did they suffer a holy death

That granted them immediate entrance

Into the kingdom of Heaven

Was this the fate of the bells

Of the Mission Santa Ysabel

The bells

Of the Mission Santa Ysabel

Have remained silent

As to their whereabouts

And to what they may be mixed-up in

The hostage syndrome

They identify with their captors

And don’t try to escape

Who would steal church bells

What kind of a low-life would do such a thing

You would think that they would feel guilty

Every time they heard a church bell ring

Wracked with inconsolable guilt

And with every ding-dong

That ever reached their ears

For the rest of their lives

Cringing on Sundays

At the noon day

At quitting time

The bells

Of the Mission Santa Ysabel

Ring no more

For us

But for their captors

They ring all the time

Clanging out “Thief, thief, thief!”

It must be tough to hold up

Under that kind of condemnation

God must have a hand in this

He keeps the thieves names on His black list

Nothing good could ever come of this

Those bells are surely missed

There’s only one way to escape eternal damnation

Bring back the bells

Of the Mission Santa Ysabel

Buy your way out of hell

God’s not buying what you have to sell

And one can never tell

When things will no longer go so well

Someday the bells

Of the Mission Santa Ysabel

Will chime in joyous rapture

Across the Santa Ysabel Valley

Summoning parishioners to appear

And perhaps shed some tears

Over the long-awaited return of the bells

God being in his Heaven

And all being right with the world

The bells

Of the Mission Santa Ysabel

Don’t ring currently

But even a blind man can see

That God will put an end to this travesty

He will solve the mystery

The bells of the Mission Santa Ysabel

Will once again clang loudly

Ding, dong

No longer gone

The bells of the Mission Santa Ysabel

Will clang loudly

Over the Santa Ysabel Valley

God being in His Heaven

And all being right with the world

Ding

Dong

Ding

Dong

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R.T. CASTLEBERRY – 2 POEMS

IMPRESSIONS OF THE SICK HOUSE

I watch in the world,
amused by massacre and gin,
homeland walls, holiday wars.
Viewed from the barred gate
darkened surveillance cars prowl,
aimless under winter afternoon skies.
Cold weather tramps straggle past
construction generators, pavement gaps,
work order water leaks.
I take into consideration
the symbolic and the sin.
I deny memories useless to me—
week-long binges, wives I’ve cheated with.
Unsettled by panic attack, I leave
a dark bedroom for couch and cable tv.
Lessons located in news video,
detention gangs scour migrant dives,
mercados, work warehouse.
I look away, watch the ceiling fan
swirl shadow circles on the blinds.
In jeans, a Steely Dan tour tee shirt,
almost ready for silence,
I allow days clear of music.

 

~

 

SLIVERS
After Creeley’s The Flower
 
I think I layer tensions
like bottles shattered
in ditches the thirsty
refugee hides.
 
Each faulting gesture
blocks breath,
catches in my chest,
cracks knees in a fall.
 
Tension is a wasting blade
It slices that one
and that one
and that one.
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POETRY: MARLENA CHERTOCK – CEMETARIO GENERAL

Cemetario General

Cemetario General is one of the largest cemeteries in Santiago, Chile. Patio 29 is a plot used to bury the disappeared, the homeless, the unidentified, and victims of the Augusto Pinochet military dictatorship.

 

What’s left of them is arranged in boxes,
fifty or so line a wall.
He turns off the leaf blower,
passes a woman kneeling, her head lowered.

Even in death there are mansions.
Glass criptas encasing tías.
He coaxes leaves away
from the marble structures.

In a narrower section
ice cream and chip vendors push their carts.
Crowded together are plots of dirt, maybe some hierba,
a Nescafé bottle filled with wilted hydrangea.

He asks families to give more.
Sometimes there’s no response. So he digs up the land
and transfers what endured to a mass plot, Patio 29.
He’s so close to the body then, touching its bones.

At home he holds his esposa’s hips
as she cooks dinner, the smell of her sweat and the humitas
mixing in the kitchen air,
holds her as she undresses and they lie down together.

Find her at marlenachertock.com or @mchertock.

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poetry: Joseph Somoza – Hasta La Vista

Hasta La Vista

Here I find myself again,
in the company of
trees and sunshine,
a quiet workday morning.
It’s like emerging from a tunnel
where my mind was cloyed
with mundane matters such as
providing food, doing dishes,
and having to
respond to others—

who are my family,
who have gone back now
to being themselves
in the far distance where I can
make out the details better,
hear their words more clearly
in the sparse air between
here and there, as if minds can’t
co-exist in close proximity
and must always be
sent on their way.

Order Joseph Somoza’s new volume of poems As Far as I know (Cinco Puntos Press, 2015).

 

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