JACOB BUTLETT – ASPIRING GAY POET

Aspiring Gay Poet

after Han Yongwun

I’m no Walt Whitman but in bed

I can write with my felt-tip pen

his penis his chin his lips,

and those dimples that hover above his eyelashes as he yawns.

 

When my roommates are away

and even the late hours hush,

I’m still too scared to share

the verse his tongue gave me

to the yawning stars.

 

I’m not an experienced poet, but I can write

his gaze, his laughter,

the way he sneaks across the campus lawn

before walking to my open window,

even each blade of grass

on the path that runs

the many steps from there to now.

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Jeff Nazzaro – YOGURT CUP

Yogurt Cup

The plastic cap snapped off

with a pop, the foil peeled

back, my mother and her

yogurt cup. New packaging,

new flavors, the word new.

 

Perhaps she spooned me out

a little taste. Perhaps not. After

the stainless blade of the spoon

had scraped most of the yogurt,

creamy, white, and teeming

with hidden life from the smooth-

molded plastic curves, I asked for the cup.

 

She rinsed it well in the kitchen sink,

popped the cap back on with a plastic

snap, and handed the cup to me,

a little boy in late 1970s suburban USA.

 

I went out to play. I took the yogurt cup,

thought I might put stuff in it—dirt

or rocks or bugs or something.

The O’Reilly’s were in their backyard.

I found them. Little Ryan said, “Let me

see that.” I handed over the cup.

 

Little Ryan turned the cup around

and around in his hands, then he lobbed

it like a World War II-movie grenade

over the wire fence where his father

dumped the grass clippings.

 

The fence was too high for me. It

skirted the backyard. There were branches

and brambles and grass clippings.

 

I looked at my yogurt cup

through the wire grating of the fence,

where it lay nestled in the clippings,

and thought: I don’t have my yogurt

cup anymore, but it’s only a yogurt cup.

 

I looked at Ryan O’Reilly, his challenging

blue eyes and mop of blond hair. Helplessness

and violence flared up. He was a year younger.

I thought: He is a mean little person, this Ryan

O’Reilly, but he is, after all, just a little person.

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LIBBY CHRISTENSEN – GLASS

Glass

Broken festering wounds

deep within shins that try to crawl through it.

The glass shatters from a ceiling that

surrounds, encases, allows

others

to see

ogle

ooh

ah

point.

The dome may be broken

but there are other things to

break

smash

scream at.

To be consumed by the glass

to fall into the glass

to drag an already limp and outrageous body through the glass

is only just one victory.

No one can stop at just one victory

because to stop at just one victory

is as bad as giving up.

These shards come from

cracked vanities

ruined window panes

curved glass domes.

Devour these shards

swallow them

slice your throat open

with ragged edges.

Embed them

into your stomach walls.

Splinter them off into smaller pieces,

digest the fragmented remains.

Pierce your skin

and let it be known

that you don’t mind blood

pooling at your feet.

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VERN FEIN – BROOKLYN SCENE

BROOKLYN SCENE

An ancient man shuffles towards me
as I walk down a dark Brooklyn street
past an old park
where trees can’t be woken
by the stare of streetlamps.

Clad in a black cape,
long silver hair.
A breeze lifts the cape slightly
to see if anything is inside.

As a small boy
he cavorted in this park,
his limbs wings.

Dracula has aged,
can only dream of blood
as he slips past me.

A wooden stake in his future,
he spits a few Transylvanian words,
shadows past my rapid gait.

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HOLLY DAY – KISS IT ALL AWAY

Kiss It All Away     

 

I crumble under the weight of your wings

as you leap from the balcony and find that you’re only human

and the two of us fall.

 

There are gods burning in the fire place

painfully smiling through bruised lips

I’ve got runs in my hose from their fingernails; they need us, too.

 

What a disappointment it was to discover

that you still have one foot stuck in the real world

and it’s the foot that counts.

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Joe Benevento – Physical Therapy

Physical Therapy

The petite young blonde assigned to guide

me through exercises for relief of my shoulder

pain has cold hands, but a well-trained friendliness

I believe she mostly means.

 

I could be embarrassed by how much stronger

she is, could fit the bill of the old guy, who

brags about how far he could once throw a football

or get grumpier still and say, “Let’s wait ‘til you’re 61,”

 

but of course I won’t be around to see how that works out.

A right “shoulder impingement” is hardly unbearable,

shooting pain only when I reach too far or long

for something over my head, or behind my back,

 

and with my family’s history (three siblings

have already beaten cancer, one has not),

I complain though most would agree I can’t.

Even now my younger brother, prostate cancer

 

gone, has three worse ailments than my single woe.

My mother-in-law has her own cancer battle,

unfair to pick one with an eighty two year old,

but she’s still fighting.  My nephew will lose

 

his stomach in a few days, will hope it takes

its cancer with it. I was aware long before

I met 60 that aging means debilitation, loss;

I’ve already been a regular, with regular lapses

 

visiting nursing homes, in vain efforts to cheer

any of us up. I still have two children at home,

though, and another two out of the house

who might miss me even more than they imagine.

 

Beyond blood, for as long as I keep my job

as a teacher, some young people will have to accept

me as mattering, at least for a term, and those

terms are still acceptable to me, since I’m certain

 

I can live with the pain, or better still,

avoid it almost entirely, if I remember

nevermore to reach too far above

or for anything behind.

 

 

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LANCE GAMBRELL – RESPONDING TO FACEBOOK

Responding to Facebook

“What’s on your mind?”  The white and blue screen asks.

What’s on my mind?  Money.  The cost of hospital-grade tubing that is in your nose when you wake up.

What’s on my mind?  The cost of honesty.  I’ve been racking up hopes and dreams, only to find expiration dates, boundaries, and under used gym cards.

What’s on my mind?  The relief that this moment will disappear from feeds by worthwhile-thirty.  This one is for the boring generations, STILL (italicized) on Facebook.

What’s on my mind?  I am too comfortable with this format of communication; and I miss coming home late, and thinking that “I’ll just be tired,” like when I wrote that letter the night before surgery, or on the eves of confessions past.

What’s on my mind? She walked by the fish tank…but she didn’t even tap on the glass. 

But what’s really on my mind…I don’t remember

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ANDREW HUBBARD – LOOK ON THE BRIGHT SIDE

Look on the Bright Side

 

Yes, she broke your heart.

Yes, I got that.

But let’s be honest

There are some good points,

And why not focus on them?

 

The top is on the toothpaste tube

For the first time in two years

And there are no long hairs in the sink.

 

The checkbook balances

For the first time in two years

And the lights you turn off stay off.

 

The caps are on the soda bottles and milk bottles

For the first time in two years

And there are no pizza boxes on the couch.

 

The medicine cabinet door is closed

For the first time in two years

And your T-shirts she slept in are off the floor.

 

The movie DVD’s are in the right boxes

For the first time in two years

And there are no bras and panties on the rugs.

 

The dresser drawers close and nobody hijacked your tweezers

For the first time in two years

And your décor is not candy wrappers.

 

So suck it up.

Get a porn library

And a puppy.

 

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JAMES TATE – REAPERS OF THE WATER

Reapers of the Water

The nets newly tarred
and the family arranged
on deck-Mass has started.

The archbishop in
his golden
cope and tall miter, a resplendent

figure against an unwonted background, the darting
silver of water,
green and lavender

of the hyacinths, the slow
movement of occasional
boats. Incense floats

up and about the dripping gray
moss and the sound of the altar bell
rings out. Automatically all who have stayed

on their boats drop to their knees with the others
on shore. The prelate, next taking up his sermon,
recalls that the disciples of Christ were drawn

from the fishermen
of Galilee. Through
the night, at the lake, they cast in vain.

Then He told
them to try once more, and lo!
the nets came heavily loaded…. Now

there will be days when
you, too, will
cast your nets without success-be not

discouraged; His all-seeing eye
will be on you. And in the storm, when

your boat tosses like a thin
leaf, hold firm….
Who knows whose man will be next? Grand’mére

whose face describes how three of hers-
her husband and those two boys-had not returned,
now looks toward

her last son-
it is a matter of time. The prelate dips his gold aspergillum

into the container of holy water
and lifts it high. As the white
and green boats

pass, the drops fall on the scrubbed
decks, on the nets, on the shoulders
of the nearest ones, and they move up

the long waterway.
The crowds watching and waving:
the Sea Dream, the Normandie,

the Barbara Coast, the Little Hot Dog, the God
Bless America
, the Madame of Q.-

racing past the last tendrils
of the warm pudding
that is Louisiana.

~

This poem originally appeared in James Tate’s first collection of poetry entitled The Lost Pilot (Yale University Press, 1967). Here’s a recording of Tate introducing and reading the poem (minute 5:27). In the introduction, Tate says this poem is about the blessing of a shrimp fleet he saw in Thibodeau, Louisiana. Here are some fleet blessings so you can add his intended imagery to the unintentional images that may also be spurred on in your mind by his lines. Long live JAMES TATE!

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