REVIEW: ONCE IN A LIFETIME – F. Richard Thomas

Review of Once In a Lifetime, a poetry collection by F. Richard Thomas

ISBN: 978-0-9608802-0-1

published by Years Press

6×9   97 pages

cover design: Helen Stork

 

Beginning with the cover I felt the personality and humanity of Dick Thomas. Standing by his young wife, a baby slung on his hip, her arms wrapped around a second child, we see them young, burly and confident standing in front of a log cabin they have built themselves. In the poem Brown County, Indiana, Thomas makes his most poignant point considering how unfamiliar these shining young people would be with the frailties and complications of aging that the poet and his wife, Sherry, now face well into the second half-century of their lives and marriage. And we learn what these optimistic youth managed to hold on to all these years later as they shore up the autumn of their existence. It is mature writing, a mature subject, told with poignancy, humor and self-awareness – a good example of how we all can face our futures.

I Walked the Dog Today

but this time

we took a new route

and met a new dog

 

It was a

once in a lifetime

experience.

 

Dick Thomas calls himself a student of the alchemy of words and I see it so clearly with a Beatlick Joe enjoyment in the poem Logophilia: My callipygian septuagenarian. And elsewhere such enjoyable words as beef-witted, gargonized, slubberdegullion.

The reader learns who the poet is as an individual in personal poems: Chemistry, Naming the Trees in New Mexico, My Desk, in clever ways, with a knack. You can’t accuse the writer of being hackneyed.

This is a great book to read in the bed, on the deck, someplace quiet, because these poems will elicit your own memories and truths, struggles. It is told as the author says in his own final poem:

A Language

that falls in a lovely curve

from the lip of creation.

Review by Beatlick Pamela Hirst who can be reached at publishingpamela@yahoo.com. Pamela Hirst runs the  Beatlick Press at beatlick.com.

 

 

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POETRY: NELS HANSON – KING OF CARROTS

King of Carrots

 

As my father and his friends drilled

with their wildcat rig at the first line

of arid Sierra Nevada foothills my

 

young brothers and I saw a boy our

age by a great overturned silver tank

that winked in the sun near a peeling

 

house with wrinkled green shingles,

asphalt at their curled edges, a couple

rooms with lean-to screen porch. We

 

hiked into waist-high golden oats and

sharp foxtails until we found a door

cut in the dented metal. In the cooler

 

dark the child sat on the dirt strewn

with hundreds of orange carrots still

with feathery leaves. “Why do you

 

pull them up?” I asked. “You should

save them to eat.” I don’t remember

what he answered. Maybe they were

 

his toys or treasure, his only friends,

each yanked like a spirit from its bed

and carried to his round silent house.

 

He was prince of carrots, general of

an army, their god, powerful and rich

enough to let them waste. We didn’t

 

eat any but sat without names inside

a realm of dying vegetables, nothing

to say. We said goodbye and returned

 

down the hill and in my father’s truck

waited in the heat, watching the derrick,

its casing sinking into the ground, our

 

father’s and the others’ arms stained with

yellow drilling mud. No oil gushed and

we drove home from the solitary king

 

in the castle and his fallen subjects like

strange fingers his mother let him gather

and rule in doomed rings all around him.

 

 

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POETRY: Marianne Szlyk – Rocky Mountain High

Rocky Mountain High

I don’t remember mountains in Denver.
I mistook them for clouds steeped
in shadow, soaked in wind, hugging

the horizon, limiting the distance of
our spectacled vision. Without a car,
the road through the mountains was

something to imagine, not to travel.
I remember walking wide streets, past
empty storefronts and flickering neon cacti.

Cutting through the university quad free
of weeds and students, we talked
about books we’d read and then

ambled to Safeway and the apartment.
I remember watching Seinfeld in black
and white. We drank Crystal Pepsi,

ate toasted bagels, the frozen kind,
smaller than my fist. Cynthia drew the
smoky drapes against night’s noise, against

mountains in the distance, the future
of endless beginnings and false starts,
our late twenties, the nineteen nineties.

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POETRY: Ryan Quinn Flanagan – Paging Doctor Numbnuts

Paging Doctor Numbnuts

There was this drunk at the bar
many years ago
who wore a stethoscope around his neck
so everyone would think him
a doctor.
He was in rags otherwise, begging drinks in the worst way,
but always with that stupid black
stethoscope.
One day
a regular decided to screw with him
and wore a stethoscope of
his own.
The drunk drank beside him
for seven straight hours
and did not say
anything.
Then everyone wore a stethoscope,
even the bartender.
Waiting until the drunk went to the crapper
before putting them on.
When he returned
he walked about four feet
then his eyes got really
wide.
Like almonds split with a mallets.
MALPRACTICE!, he screamed,
MALPRACTICE!
MALPRACTICE!
Running out of the bar
so that everyone could share the same
dumb laughter
for once.

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POETRY: Michael Bartelt – Don’t Try To Escape

Don’t Try To Escape

The empty beer glasses remind me
to take a break from this conversation
I’m having on the nature of impulse
with this girl I didn’t think had it in her.

I stand up, find out I’m drunker
than I thought I was, more open
to this environment
I thought wasn’t for me.

“Not divey enough,” I had said.
“Too many artsy fartsy types.”

New emptiness is being met by the band
playing that familiar song, this feeling
the bartender’s mustache is my own
and I like it, despite the joke I made
to Jack when we walked in.
I think I might have been
bullying myself.

Everything is becoming
too sentimental.
I think I might puke,
so I resolve to slowly kill myself
with a cigarette and some air.

I take my place
by one of those cigarette dispensers,
which I suspect has no need
for the process of emptying and refilling
because around it

there must be a hundred or more
cigarette butts becoming one
with the communist grass.

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