2 POEMS – DAVID S. POINTER

Night Vision Revisited

I’d clean the killing lens night vision
goggles
with submarine seawater, but, the
eviscerated blindness is lodged off
in the long term
low intensity conflict
brain wirings
never fully sanitized
as the world pulls warm winter covers
up over the collective mindless head
waiting for a new delicate darkness
without carnage,
without calendars,
without fair trials touching down inside
unjust economic system cyber-tent sales

~

Dreamscape Crime


Detectives
relish
pursuit,
but, if anyone
dynamites
or poisons sinkholes
as a cold case walks by,
arrest
the former
not quite forgiven
when the state needs money
after receiving individuals
incensed by mouthpieces
for the vampiric economy
needing
tailbones
for the acquisitions-avoidance
culture receiving so many
mega-judgements lacking
menace-conviction corps

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TERRY HERTZLER – NAPALM

NAPALM

The boy wears only a pale green shirt,
no pants or shorts or shoes–a six-year-old,
fat stick in hand, squatting in the dirt.

He glances up as our convoy passes,
eyes dark and blank, and shifts his weight
to favor his left leg, ridges of scar
from ankle to hip twisted and shiny as plastic.

Yellow dust, kicked up by our truck
hangs in the air, thick and choking.
But the boy, face calm as a cat, just stares,
only his eyelids moving, up and down
up and down. Finally, he looks away and
raising his club, resumes his task,
pounding ants.

~

This poem was originally published in Second Skin by Terry Hertzler (Caernarvon Press, 2003)

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Jack D. Harvey – BOMBING VIETNAM

Bombing Vietnam

Good old Joe,
a hell of a pilot you were.
You was my friend,
you was a big child,
all heart, stupid as paint, sure,
but the feel in your talented fingers,
your far-seeing blue eyes;
you and that plane united to kill
every goddamned gook down there
living in that green placid land.

I thought of you,
bombing airstrips, roads,
buildings, villages, factories,
the whole place;
it sickened me and
was I ever up your
big face and down,
looking for tears,
for remorse?

I’m sorry, Joe,
best friend,
I gave you love and respect
with full conveyor belts,
encouraged you
to blow this green land
to hell and gone,
so it’s me and you,
doing a lot of death.

Now you’re dead, too,
burned to a crisp
in your crashed B-52.

He was Joe from Muncie,
a bull’s eye,
a real true soul
who didn’t think much,
an O.K. guy, a
stamper on
American roads,
and now he’s gone.

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POETRY: KYLE PERDUE – “Breakfast With a Skeleton”

“Breakfast With a Skeleton”

I walked down the morning stairs

a skeleton sat at my typewriter

he was turning the wheel

trying to get the paper through

“you have to guide it through.”

I said through a yawn

he looked at me snide

his bone and marrow yellowish from decay

what are you looking at?

I thought

you’re a god damn skeleton

he took a sip of coffee

I watched it go into his jaw

through his throat

down his belly

and onto the floor

he’d gotten the paper in

and I could hear him now from the kitchen

he was typing something

“eggs?”

I called out

no response

I walked over

he was head-down, still typing

“YEAH!”

he screamed

jesus

I made the eggs— dashed with some cinnamon

I sat on one end of the table

him on the other

I watched the eggs travel through his body

and splat onto the floor where my dog ate them

“terrible.”

he said

“is that, is that cinnamon?”

what was left of his face cringed

“what were you writing?”

no response

“what were you writing?”

he took another bite of eggs and said:

“a body for myself.”

“a body for yourself?”

“a vessel for this hollow, lonely, useless, irritating,

appalling arrangement of calcium.”

“that’s what you were writing?”

“that and a love poem.”

“for Meryl”

“but how do you write a body?”

I asked him

“the same way you write a love poem,

it writes you.”

I had a sip of coffee

“I like you, skeleton, you should stick around.”

“can’t,

I’ve got to get an x-ray today.”

he showed me his broken arm

“you ever tried writing a love poem with a broken arm?”

he asked

“no, but I have with a broken heart.”

we sat in silence

just before he read me his body

and his love poem

I cried during both

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POETRY: Christine Stoddard – “Apartment Hunting”

“Apartment Hunting”

 

Theo lived with six roommates.

Half of them thought you were black;

half of them thought you were white.

In the month you found refuge on his sofa,

not one of them ever asked, but you could

read their interpretation based on

how they discussed the pricklier points of race.

None of them had been to Virginia, save for one.

He once shot past Washington, D.C. and

spent a couple of hours in Arlington

before he realized his mistake.

He said the Potomac looked ferocious,

but you were a Rappahannock River girl.

You still didn’t know the bodies of water

that threatened to swallow New York.

In Bushwick, the only drops you saw

lined the gutter and pooled on the sidewalk.

Sometimes the cry of seagulls pricked your ears.

A little lost, the birds had not steered too far off course.

But you never mentioned nature to your unwilling neighbors.

“Lavinia,” said Theo one morning, while lighting a joint,

“It’s been nice, but you have to find an apartment.

Craigslist that shit, girl. It’s not that sketch.”

You stopped chewing your grits (a remnant of home)

and nodded slower than a late-night G train.

“It’s all run together,” you say. “I forgot how long I was here.”

“This city sweeps you up, but you learn to fight it.”

He exhales and you both appreciate the clouds he fashions.

“Where do you want to live?” he finally asks.

“Somewhere where I can see the sky,” you say, surprising yourself.

“Welcome to Brooklyn. No tunnels of building shadows here.”

“As long as it’s cheap,” you say, thinking of closets and slums.

You don’t add that you have nearly run out of savings

because Theo will try to convince you to work at his office,

the call center that lets him reschedule his shifts for auditions.

You didn’t flee to New York to ooze in and out of a 9-to-5.

You didn’t move here to dread every day of your existence.

You came here to revel in textiles, to dress Broadway’s stars,

to tell stories through costumes like you dreamt in school.

“We’ll look at listings and book appointments for tomorrow,”

says Theo in a daze now that the pot has hit him.

“Sure, load me up,” you mutter and grab his joint.

It’s your moment to escape, to surrender

as a speckled seagull shrieks outside.

~

Find Christine Stoddard online.

 

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POETRY: TIM STALEY – THE MOST HONEST SYLLABLE IS SHHH

The Most Honest Syllable Is Shhh

Certainly I rinsed the vegetables.

A drummer killed himself
but I’m not even sure
he was a drummer.

The caravan abandoned the camel
in the Target parking lot.

Xanax builds the cornerstone of selfishness
on the diversion of punctuality.

A snake finds a railroad tie, hallelujah!

When working on an orgasm, distractions like the dog
scratching the french door, or the child
opening your bedroom door, or the dryer
beeping, or the washer beeping, or the timer
for the raspberries beeping, or the jazz
interrupted by the news, John Kerry broke his leg
while cycling a stretch of the Tour de France.

The ideal exists in the poems the fewest of us read.

Three people see a poem on a postcard and the national average is rattled.

Not everyone on a sofa with a bong and an acoustic guitar is cool.

I was 10 and hadn’t lost my virginity, sort of.

The Marriage Cycle:
anger proceeded by feisty dignity
followed by sacrifice.

The gangplank of adulthood is sacrifice and feisty dignity.

Children ache for actions of their own making,
not smoke machines but actual smoke.

You aren’t supposed to fast forward anyone
from The Last Waltz.

~

Visit Tim Staley online.

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