POETRY: Erren Geraud Kelly – FLOWER LADY OF ECHO PARK

Flower Lady Of Echo Park

Rumor has it
She once tried out for
The Miss America pageant
In ’76
And narrowly missed the preliminaries
Some say she was once married
To a guy
Who worked with Donald Trump
But she just changes the subject
Whenever she’s asked

Her flower stand is in
Front of
Walgreens
Sometimes, I say hi to her as i’m
Going to a bookstore across the
Street

You can never read too
Much

Latinos
Outnumber whites in L.A.
Yet are killed more than
Whites
Mexican girls pretend to
“No habla ingles,” when they
Don’t want to be
Bothered
Condos are quickly replacing
The old school houses
Here

A Chicano poet
Thanks me for showing up
At a poetry reading on LaBrea Drive
Otherwise, he would’ve been
The only colored person there

I watch a white girl
Doing stand up
Wearing an NWA t-shirt
She does an impersonation
Of a Mexican
Cheech and Chong
Would appreciate.

I joke with her
Telling her, “she does Mexican
Well.”

Donald Trump is obscenely
Popular and no one
Laughs at the thought
He could be president

Mexican girls look like
Kate Upton
And white girls pay hundreds
Of dollars
For a tan
Some blacks and chicanas
Hate

I give the flower lady a
Five dollar bill
She tries to give
Me a bouquet
But I refuse

I know now the dirtiest
Word in the English language
Isn’t the words
I hear hipster girls use
As they talk over
Coffee

The dirtiest word is
Change.

Read more "POETRY: Erren Geraud Kelly – FLOWER LADY OF ECHO PARK"

FICTION: WARNINGS – ADAM PHILLIPS

 

 

Warnings

    In the beginning…Ye shall not neglect not neglecting for a fraction of a second.  Nary a sunny field, a cave, the water, the dark (obviously the dark) shall go unexamined preceding entrance.  Send forth your weakest first.  Thou shalt not fall a fraction less than vigilant whilst sleeping, whilst wrapped in your mother’s hairy arms.  Thou brutish former self.  Flee fromst each noise, each bobbing leaf.  Flee the corpus, burst asunder, entrails strewn like petals of the loosestrife….   

    You were born with the ocean in your brain.  Even if you’ve never seen it.  Even if you’ve never imagined it.  The darkness and the ice.  Perpetual motion.  Darkness and perpetual falling.  The tantalizing vestigial memory of light without sight.  Eternity.  Mist.  Slickness.  Mist.  The alpha and omega.  Running in a dream.  Eschatological storm.  Sliding amorphous shapes.  Protean.  Do not go into the ocean.  Kraken.  Siren.  Lantern eyes, the size of multiple hearts.  Leviathan.  Goblin’s faces.  Creatures blind and flat.  Sea lions shrieking their fangs on rocks like men turned vicious slugs in hell.  Noah’s eyes, dull but moving, moving, choosing, picking sides…Picking the future and the past.  The smell of prosaic ubiquitous death.  Beware the corpse spit mockingly out, bloated and clownish, features blurred.  There, says the ocean.  Fifty billion years ago and now.  Now.  Now.  Every second, a fresh now.  Don’t come back, says the ocean.  Get back up on your fucking hill.    

    In the beginning there was water, and there was dirt.  

    Then we recognized water as separate from the soil, we moved it, we made it work, we grew corn.   We smelled soot on our hands, and we set that soot to work.  We smelled blood on our hands, and we spilled more and made a lake of blood and set it to work.  We smelled shit on our hands…We made every other living thing in the world stand where we wanted them to stand and declared ourselves no longer of the world.  Stay clear of the corn at night.  Marauders.  Look away, look away, from the bobbing lights in the corn at night.  Do not (do not!) fuck amongst the corn.  Trolls.  Don’t forget to throw a virgin off the tower, the rim of the volcano, the apex of the pyramid.  Do not incur the wrath of the river child.  Do not incite the manticore.  Do not misbehave.  Listen to your mother.  Smile as your father strikes you.  There are so many (so many!) things out there just waiting to eat the children.

    Do not incite the dead.  Don’t make fun of them.  Don’t use their parts.  Don’t piss on the dead.   Don’t claw their soil (it’s all they have).  Don’t bury them upside down, or face down.  Don’t cram them into something.  Don’t stuff more than one into a single hole.  Don’t put their hands on their crotches or their thumbs in their eyes (Us & Them).  Don’t forget to bury them.  Beware the corpse that has been scared to death.  Don’t rouse the dead.  Don’t arouse the dead.  Don’t tell them they’re dead.  Never use their names.  Never forget.  Don’t eat them, even if you’re starving.  Don’t take their stuff.  Don’t hump their wives or daughters.      

    Beware of things that are smaller or larger than they’re supposed to be.  Or misshapen.  Beware of fused combinations.  Beware of the man with a dog’s head.  Beware of the man with no head.  The snake with a man’s head.  The man with a vegetable head.  Beware of snake parts, no matter what the head and the body.  Beware of deep velvety flowers in the humid swamp at night.  Barbarians.  Beware of glowing eyes.  Dull eyes.  Spinning eyes.  The eyes of a rooster.  Beware of eyes like drops of oil.  Like buttons or stitches.  The eyes of a pig.  Don’t ever look / into any eyes.

    Close your windows against birds flying in reading tomorrow’s obituaries.  Don’t eat the dead sailor’s spirit.  Water water everywhere.   

    Don’t let your soul get trapped.  If another soul gets trapped, don’t break the receptacle.  Wash it facing south.  Grind the victim into dust.  Better yet, hide the fucking thing, so nobody falls in.

    When the world has grown uncontrollable, find something you can control and control it.          

    Then things get simpler.  Or stupider.  No longer does the thing necessarily match the source of death.  No longer does one avoid the shark to avoid being eaten by the shark.  [Suddenly, you prepare your food incorrectly or tell the wrong part of the sky to kiss your ass, and here comes the shark knocking at your door with an edict to eat you.  Fear the passage.  Do not forget to fortify the door, lay out food before the door, paint the door with blood.  Do not leave the door open (birds again…).  Don’t leave the mead hall.  Don’t sacrifice to the stone faces, who used to warn you against so much.  Do not steal, even if you’re starving.  Even if your children are starving (unless you want EVERYONE TO DIE!).  Listen to the king.  Don’t listen to the king.  Don’t kill the king and take his stuff.  Don’t think too much.  Do not forget to pray (cagily, now!) to the Destroyer.  Beware the Destroyer.  Burn meat for the Creator.  Go have your period outside the city limits.  Kill the wild man.  Do not ask why.  Align yourself with the wild man.  Watch for he who / is duskier than you.  

    Do not touch nor consent to be touched by the rats.  Do not go near the body in the gutter, bloating, black around the gills.  Do not dance with strange women on bridges, or at night, or when the atmosphere has grown disorienting.  Never refuse a dance with a strange woman.  If a man approaches you bearing a riddle, run.  Dwarves.  Beware the corpse stripped and robbed alongside the road.  Though we have finally lost the child-eater with his multiple heads wearing smaller heads (beautiful gossamer hair) on hemp ropes strung around his waist and throats, with the razor-sharp teeth pricking cracked black lips and  blood splotching his powdery white face, DO NOT (for a second) assume that the children are no longer being eaten.  The eater has simply become less outrageous, ostentatious, obvious.  Now it’s an old woman sneaking in on the breeze through a bedroom window, now it’s an old man selling snacks in the forest.     

    Do not let anything steal the women.  Everything wants to steal the women.  Or worse, impregnate the women, leaving us to raise the child and tend to the deranged limping women.  And then even if you do everything correctly, the goddamn bastard child murders you in your sleep.  Beware of women watching wistfully out windows.  Beware of elongated shadows crossing bed chambers, tallow from sperm candles dripping down long hairy fingers.  Beware the man with the face of a wolf, the hirsute torso of a wolf, the face of a rat, talons like a weasel, eyes like a spider, the hunched mien of a spider.  Beware the corpse drained like a fig.  Do not (do not!) go down to help the unidentified ship safely abut the wharf because the ship is (clearly) full of long-rotting corpses, and something will flash ashore, and the next thing you know the women (always the women!) are wandering the breaker wall in their nightgowns at midnight.  

    If the foreigners are destitute, cloddish, pock-marked, clad in rags, butchering / the language…let them pass.  Beware only the debonair, the velvet capes, the large hair.  Beware the rolling Rs.  Do not let the girls choose.  Do not let the girls travel.  Slaughter the foreigners in their beds.  Ask questions later.  Do not ask questions.    

    Don’t play god.  Of course you want to play god.  Don’t play god.  Messy business.  You sew it together, it shambles back.  Be gentle, You, you say.  It smacks you over the head (the thing that once existed only within your head).  It chucks the girl into the river.  You have no control.  You think you have control but you don’t.  

    Don’t fixate on the poetic revelation that, at root, all of them only want to be loved.  Don’t linger on the fact that they’re lonely and ugly and weird and deserving of our sympathy.  Don’t obsess over their insistence that they only want to pick the flowers, watch the butterflies, listen to the birds sing…They only want to touch the pretty hair of the girls.  Because even so…

     Even so, what then?  So fucking what?  What else are you supposed to do?  Regardless of the butterflies, the hair, the birds…They had their chance.  Even if it wasn’t a chance.  They’ve got to go.   

    Then, wait a minute now, everything has changed.  (Who…?)  It’s no longer the foreigner, the weirdo, the brute, the beast outside…but the monster within.  Inside of you!  Always brutish rising from the refined, never the opposite; never have the virile and bellicose feared discovering within themselves the homuncular soul of some effete bookworm.  Always the gutter or the jungle.  Always there, some thin relentless trickle of primordial ooze, waiting to feed some dark blossom.  A dark star passes through you, and suddenly off you go to stave in heads with canes or skewer heads on stakes.  (And admit it, you like it).  

    And nature.  Thousands of years spent stacking stones and harnessing fire, fighting to keep her from tearing out livers with her great green teeth.  Beating back the tomato vines, the roused dinosaurs, the drooping black serpents…And suddenly now, the goddamn opposite.  Cultivate the beast.  Do not use flashbulbs when photographing the beast.  Wear your slippers.  Kill those who would throw her into peril, and if not…

    If not, you’re living in sand, breathing fiberglass.  Air becomes chemical, water melts your throat.    

    Which brings us to the present day.  A puritanical voice shouting “Don’t go fuck in the woods.  Don’t smoke weed.  (Does this sound fun?  Of course it does, but don’t!)  Don’t be weird.  Don’t limp or stutter.  You will be culled.”  And the device, the tool, the reckoning comes limping big and bloodstained, shitty clothes, himself the victim of childhood ostracizing, swinging garden tools, faceless, voiceless, mechanical, no passion in his violence.  Beware of the beautiful bikini-clad corpse with her throat slit at the edge of the woods.  And here the warning is double-edged.  Don’t create this thing.  Don’t be a dick.  Don’t take everything you can have.  Cradle the reject.  Sleep with the nerd.  

    Then (the story goes) we invent microscopes to see the crossed wires in our bodies, the tangle of our minds.  We kill practically everybody and then write a thousand books confirming how repulsed we are at the prospect of killing everybody.  We have nobody to fight so we eat ourselves.  

    We look in a mirror.  We’ve become smaller than we remember we’re supposed to be.  Hunched.  Perforations like rudimentary gills.  And there, we say, pointing a gnarled finger…

    There you are.  

    All this time.  We’ve been expecting you.  

    Let’s put this thing to rest.  

 

 

     

Read more "FICTION: WARNINGS – ADAM PHILLIPS"

POETRY: FIFTY PERCENT – GERRY STORK

Fifty Percent

I’m one of those people who fifty percent
of the time sees the worst in things.
Fifty percent of the time I like my job.
Fifty percent of the time I’m crazy about
my wife. Fifty percent of the time I like
myself, my kid, my houses, my state.
Roughly fifty percent of my days
have been sunshine. Fifty percent of the used
vehicles I’ve owned have been up to snuff.
Last night for my birthday my wife
took me to our favorite Italian restaurant.
It cost about 50 bucks. It was one of those
times we really enjoyed being out together.
That happens about half the times we go out –
we don’t go out that much. I had a calzone
which was pretty good and a small pitcher.

She had the shrimp and a half carafe,
good but not as good as last time. I was so tired
on the way home the car drifted a couple of times
and I had to catch myself. No one was on the road
for Friday night and we made it without
incident. By the time I’d walked the dog
and visited with our boy awhile, she was sound
asleep. I read three pages and turned out the light.
This morning I got up, went to the bathroom
noticing I was damn thirsty, unusual for me.
I turned on the water to scoop a handful
into my mouth and thought suddenly of refugees
with dry throats, fleeing misery to misery, especially
refugees with tents. The water hit the spot.
At least half of today I’ll be thinking about
thirsty refugees, my good fortune.

 

Gerry Stork’s new chapbook available now from Grandma Moses Press. 

Read more "POETRY: FIFTY PERCENT – GERRY STORK"

REVIEW: ONCE IN A LIFETIME – F. Richard Thomas

Review of Once In a Lifetime, a poetry collection by F. Richard Thomas

ISBN: 978-0-9608802-0-1

published by Years Press

6×9   97 pages

cover design: Helen Stork

 

Beginning with the cover I felt the personality and humanity of Dick Thomas. Standing by his young wife, a baby slung on his hip, her arms wrapped around a second child, we see them young, burly and confident standing in front of a log cabin they have built themselves. In the poem Brown County, Indiana, Thomas makes his most poignant point considering how unfamiliar these shining young people would be with the frailties and complications of aging that the poet and his wife, Sherry, now face well into the second half-century of their lives and marriage. And we learn what these optimistic youth managed to hold on to all these years later as they shore up the autumn of their existence. It is mature writing, a mature subject, told with poignancy, humor and self-awareness – a good example of how we all can face our futures.

I Walked the Dog Today

but this time

we took a new route

and met a new dog

 

It was a

once in a lifetime

experience.

 

Dick Thomas calls himself a student of the alchemy of words and I see it so clearly with a Beatlick Joe enjoyment in the poem Logophilia: My callipygian septuagenarian. And elsewhere such enjoyable words as beef-witted, gargonized, slubberdegullion.

The reader learns who the poet is as an individual in personal poems: Chemistry, Naming the Trees in New Mexico, My Desk, in clever ways, with a knack. You can’t accuse the writer of being hackneyed.

This is a great book to read in the bed, on the deck, someplace quiet, because these poems will elicit your own memories and truths, struggles. It is told as the author says in his own final poem:

A Language

that falls in a lovely curve

from the lip of creation.

Review by Beatlick Pamela Hirst who can be reached at publishingpamela@yahoo.com. Pamela Hirst runs the  Beatlick Press at beatlick.com.

 

 

Read more "REVIEW: ONCE IN A LIFETIME – F. Richard Thomas"

POETRY: NELS HANSON – KING OF CARROTS

King of Carrots

 

As my father and his friends drilled

with their wildcat rig at the first line

of arid Sierra Nevada foothills my

 

young brothers and I saw a boy our

age by a great overturned silver tank

that winked in the sun near a peeling

 

house with wrinkled green shingles,

asphalt at their curled edges, a couple

rooms with lean-to screen porch. We

 

hiked into waist-high golden oats and

sharp foxtails until we found a door

cut in the dented metal. In the cooler

 

dark the child sat on the dirt strewn

with hundreds of orange carrots still

with feathery leaves. “Why do you

 

pull them up?” I asked. “You should

save them to eat.” I don’t remember

what he answered. Maybe they were

 

his toys or treasure, his only friends,

each yanked like a spirit from its bed

and carried to his round silent house.

 

He was prince of carrots, general of

an army, their god, powerful and rich

enough to let them waste. We didn’t

 

eat any but sat without names inside

a realm of dying vegetables, nothing

to say. We said goodbye and returned

 

down the hill and in my father’s truck

waited in the heat, watching the derrick,

its casing sinking into the ground, our

 

father’s and the others’ arms stained with

yellow drilling mud. No oil gushed and

we drove home from the solitary king

 

in the castle and his fallen subjects like

strange fingers his mother let him gather

and rule in doomed rings all around him.

 

 

Read more "POETRY: NELS HANSON – KING OF CARROTS"

POETRY: Marianne Szlyk – Rocky Mountain High

Rocky Mountain High

I don’t remember mountains in Denver.
I mistook them for clouds steeped
in shadow, soaked in wind, hugging

the horizon, limiting the distance of
our spectacled vision. Without a car,
the road through the mountains was

something to imagine, not to travel.
I remember walking wide streets, past
empty storefronts and flickering neon cacti.

Cutting through the university quad free
of weeds and students, we talked
about books we’d read and then

ambled to Safeway and the apartment.
I remember watching Seinfeld in black
and white. We drank Crystal Pepsi,

ate toasted bagels, the frozen kind,
smaller than my fist. Cynthia drew the
smoky drapes against night’s noise, against

mountains in the distance, the future
of endless beginnings and false starts,
our late twenties, the nineteen nineties.

Read more "POETRY: Marianne Szlyk – Rocky Mountain High"

POETRY: Ryan Quinn Flanagan – Paging Doctor Numbnuts

Paging Doctor Numbnuts

There was this drunk at the bar
many years ago
who wore a stethoscope around his neck
so everyone would think him
a doctor.
He was in rags otherwise, begging drinks in the worst way,
but always with that stupid black
stethoscope.
One day
a regular decided to screw with him
and wore a stethoscope of
his own.
The drunk drank beside him
for seven straight hours
and did not say
anything.
Then everyone wore a stethoscope,
even the bartender.
Waiting until the drunk went to the crapper
before putting them on.
When he returned
he walked about four feet
then his eyes got really
wide.
Like almonds split with a mallets.
MALPRACTICE!, he screamed,
MALPRACTICE!
MALPRACTICE!
Running out of the bar
so that everyone could share the same
dumb laughter
for once.

Read more "POETRY: Ryan Quinn Flanagan – Paging Doctor Numbnuts"

POETRY: Michael Bartelt – Don’t Try To Escape

Don’t Try To Escape

The empty beer glasses remind me
to take a break from this conversation
I’m having on the nature of impulse
with this girl I didn’t think had it in her.

I stand up, find out I’m drunker
than I thought I was, more open
to this environment
I thought wasn’t for me.

“Not divey enough,” I had said.
“Too many artsy fartsy types.”

New emptiness is being met by the band
playing that familiar song, this feeling
the bartender’s mustache is my own
and I like it, despite the joke I made
to Jack when we walked in.
I think I might have been
bullying myself.

Everything is becoming
too sentimental.
I think I might puke,
so I resolve to slowly kill myself
with a cigarette and some air.

I take my place
by one of those cigarette dispensers,
which I suspect has no need
for the process of emptying and refilling
because around it

there must be a hundred or more
cigarette butts becoming one
with the communist grass.

Read more "POETRY: Michael Bartelt – Don’t Try To Escape"