warpoetry
POETRY: PEACH – Robert Beveridge
POETRY: before we’re done – Robin Wyatt Dunn
before we’re done
Here now, after there, and before we’re done:
Los Angeles, tossed into the wormhole, kept inside the confessional,
nailed to the sidewalk by angry Korean locksmiths, shouting:
“Jesus! Jesus! Jesus! Jesus!”
The ultimate mindfuck.
Give me your ultimate mindfuck, and I’ll show you the key, out of reality.
We all know it here:
Like Depeche Mode says, one caress, and I’m blessed:
Shivering under the freeway
Standing near a beautiful woman
Getting a new apartment
Going to a show
Standing in a large party
Under the shadow of the Scientologists
Under the shadow of the night.
Give me the shadow of the night, for I am thirsty, and my long wait
must be rewarded.
Let me drink.
(Ohhh)
It is too delicious. What did you put in it, Los Angeles?
You fucking drug pusher. Pimp.
Give me the night and all its names.
Tell me: am I still wanted?
Am I still needed?
Fight me.
Fight me.
Fight me, fandangle me. Fear me for the flour we’re grinding, hum dee
ho, rum rum:
As Pee Wee Herman observes:
Micka Licka Hiney Ho
And this koan describes a large portion of Los Angeles: ass lickers,
of course, but more, as they transform it into a mystical right . . .
We know Christianity was built by Roman Emperors to fuck Israel.
It is possible Islam was built by Israel to fuck them back.
Or maybe that was Hollywood.
Dream with me, of the long delivery
And dream with me, of the midnight flash
Come calling at midnight
Left drinking at midnight
Turned toward at midnight
Whose name was eternal
Whose light was an ocean
Who danced
Hum hum hum
Who danced
Hum hum hum
Who was it took the name from the mountain and put it on your forehead?
You terrible mark
Terrible day
Like Cain
We are a city of Cain’s children. All right. All right, fine. I can
dig it, indeed, move it, wheelbarrow it and reassign it in the
categories of meaning to something fruitful, once we are singing
Give me the long delight
In the rain
Kill Hollywood with me, with each of our long knives
If Titus can do it, so can we
Let’s fuck Israel together
And Rome too
Fuck Mecca, and fuck Uruk for good measure, and Gobekli Tepe
Like Ginsberg says, it’s all holy, baby.
The asshole too.
Still, some things are more holy than others . . .
Give me the long division
In the long breeze
Give me the long night
To open the curtain
I am the curtain
This is a temple
Our cult is holy
And there is no night or day
I am not alive
Or dead
I am just barely breathing
Our voice is a thousand suns
And Los Angeles is our plaything
If only for an hour
A day
A week
Five months, at the outset
Give me the strong production schedule
Order twenty pints of blood
Polish your hair
I am rehearsing my lines
We have no need of money
We have honor
Even Cain’s children have honor
Even the voiceless are stars
Burn with me, the permanent midnight
Underneath the freeway overpass
Burn everyone
Burn Tom Cruise
Burn Natalie Portman
Burn our most beloved, anyone you can name
Anyone of our city you can name
Burn them
Burn them
Burn these princes in their holy vestments
Blacken the night with their song.
Blacken the night with me,
And I’ll hold you close
Take me to the river
So we can howl
I am breathing some night I have never seen
Out of the water I can see the stars
~~
This poem was first performed at Second Sunday Poetry in North
Hollywood, September 11, 2016.
~~
Visit Robin Wyatt Dunn online.
Read more "POETRY: before we’re done – Robin Wyatt Dunn"POETRY: WAITING ROOM BLUES – JOHN GREY
Waiting Room Blues
I wish there was something worth reading
but the doctor’s waiting room
is like a home for unwanted magazines,
ancient People with pages torn out,
a scraggy looking Sports Illustrated
previewing a world series that was played
months ago.
And then there’s the medical rags,
every sickly base covered
by glaring ads with grinning people
pushing every drug on the market.
Toss in the persistent cougher two seats
down from me and the woman whining
because her appointment’s already
twenty minutes overdue
and you have a whole other disease
that I, unfortunately, can’t help catching:
a low grade virus incorporating
a lack of faith on the part of the medical profession
in the interests and mental aptitude of their patients
crossed with a waning enthusiasm
for my fellow unhealthy human beings.
The only cure that I know of
is a nurse calling out my name
and a doctor poking down my mouth,
listening to my heart beat
and making me deep breathe.
In the MD’s knowledgeable hands,
I can be sicker than I’ve ever felt in my entire life
but oh so much better for it.
Read more "POETRY: WAITING ROOM BLUES – JOHN GREY"POETRY: BAPTISM – Erren Geraud Kelly
Baptism
A sea of ushers in white
led me to the water
piano, organ and voices
surrounded the room with
fire
it was the god of my father
and my mother
like the river, cleasing her
as a young girl
Before god
my life was a blur
of childhood dreams and wishes
and then one day, i got the
call
I stood still, as if
nothing else mattered
like a film negative
being developed
god revealed truth to me
The world became insignifigant
as the baseball i played
with
The ladies in white
lead me to the water
i step in like a negative
waiting for truth
to reveal itself to
me
Fearing nothing
to begin again
FICTION: Good Lookin – S.F. Wright
Good Lookin
I heard about her death five years after I quit. She was a heavy woman who dressed in tacky clothes; they looked like they’d been purchased at a yard sale. She kept her long brown and gray hair tied in a ponytail; she never wore makeup.
My friend, who still works at the bookstore, emailed me a link to the obituary. I don’t know why; I barely knew the woman. She was just someone who frequented the store.
At first I wasn’t even sure to whom he was referring.
I read the obituary, but even after I gleaned the information- she was 64, taught high school English, never married, was survived by a brother- and reread her name, I had no idea who this was.
You remember, my friend’s next email said. The heavy, round woman. I couldn’t picture her.With the pony tail. Wore those awful clothes. I still wasn’t sure, but an image started to form.
Always called the male cashiers Good Lookin.
Now I saw her, as clearly as if I’d seen her that morning.
So her name was Sally Jenkins.
I could never stand her. When she was in line, I’d intentionally ring more slowly so she had to go to another cashier. But sometimes I was the only one at the registers. Then she’d come over with her smile, and I had no choice but to ring her up and listen to her.
She spoke in platitudes and clichés. But her most annoying expression- and she only used this with male employees- was Hey, good lookin.
I don’t know why this appellation annoyed me so; it wasn’t insulting- if anything, it was complimentary in a folksy way- and it’s not that it embarrassed me (and, as I get easily embarrassed, there are a multitude of other things she could’ve addressed me by that would’ve done that). I don’t think it was those words as much as it was those words coming from that face; the combination just irritated me.
Good night good lookin, she’d say after I rang her up (despite the fact that she was (as I learned later) an English teacher, she bought mostly romance novels), and she’d give me her smile, no matter how badly I’d fail at returning my own.
Though I’m fairly certain there were times I liked working at the bookstore- there had to be, right?- most of my memories from that place are of misery and endurance. The more I worked there, the more I disliked it (I’d come to despise the place by my last year); so my most recent- and, hence, most vivid- remembrances are consequently the most disconsolate.
I disliked the customers; I hated the hours; I resented how poorly we were paid; I abhorred fighting for a parking spot on Saturday afternoons.
My best memory from the bookstore, on the other hand, is the day I quit.
A new store manager- the fifth I’d had- hadn’t cared for me and was looking to get rid of me. I didn’t like him either or- again- my job at all by that point. Soon after this manager started, I missed four days without calling out. He phoned my house. Before he asked anything, I said I quit.
It wasn’t a dramatic scene from a movie, with my telling him off and storming out (I was on the phone, after all), but it felt good nonetheless. In fact, it felt great.
All those year I’d wanted to leave, and with two words, I was gone.
———-
I worked at a tutoring center for a while and enrolled in grad school. Upon completing my degree I found work as an adjunct professor. I loved the work- or at least I loved it compared to the bookstore- and my enthusiasm and dedication were such that I was hired fulltime. But the position only lasted one semester; afterwards I returned to adjunct work. And soon I hated being an adjunct as much as I hated working at the bookstore.
But it was a different kind of hatred: in the bookstore, there’d never been a future; at the college, there’d been one, but it had been snatched back.
I decided it was again time to move on. I ended up doing- even though I didn’t know this at the time- what Sally Jenkins did: teach high school English.
I’d been a high school teacher for two years when my friend sent me the email.
I’m now 37; Sally Jenkins was 64, which means all those times she called me Good Lookin I was around 20 to 30 and she somewhere between 47 and 57.
But why think of these things? They don’t matter.
What matters is that my high school job is starting to grate on me, even though it hasn’t done so completely. I’m making more money in the public schools than I’d made at the bookstore, tutoring center, or college (even as a fulltime professor), but if you’re miserable, or sense you’re going to be, what does that matter?
It angered me somewhat that my old coworker sent me the email about Sally Jenkins, a woman I only knew peripherally. It annoyed me that I remembered her face and her voice saying good lookin.
And it especially infuriated me that my friend thought I’d be interested.
I read the obituary- a couple of times- but it was with voyeuristic curiosity rather than concern.
I don’t like looking into the past, particularly my own. It doesn’t take you anywhere positive. All it leads to is what you’ve divulged about yourself to others, and sometimes- and who needs to know this?- what you’re revealing to yourself now.
–
Read more "FICTION: Good Lookin – S.F. Wright"NONFICTION: DeAngelo Maestas – Untitled
Untitled
On the other side of town only a fifteen-minute drive feels so distant. The one place I can always let the world go.
-The place of death,
How ironic, live green grass in the summer encompassed by death and tombstones. The still air as it seems… like time doesn’t matter.
I always know where to go in that little upper left corner. One little spec, in a wave of grey and green, spread on forever like what seems to be infinity. There she is. The stone made into a heart.
One of a kind.
Pink…
A big sunflower engraved on the front with such detail.
I always bring her peanut m&m’s. Always the king size. Never more, never less. If I can, I bring her a sunflower. One with the biggest brown center and the yellowest of petals. I make sure it faces the sun… Just like her taking things head-on.
This place is dark and somber but her pink heart gives me hope. I can still see the black lettering now:
“June 5,1970- September 26, 2010.”
Her last name engraved with the finest of fonts.
“Funck.”
I always do things different just like her. I put the peanut m&m’s in the flower holder. I lay that one beautiful sunflower on her heart. I like to think her actual heart was this big. Loved everyone. Me, my brother, anyone kind. I still hear her voice. Her calm tender touch. I feel it embrace me.
Happiness.
I don’t wanna leave. The place of eternal sadness brings me true happiness. The thought of seeing her again. I run my hand across the stone, say my goodbyes and let her know I’m doing just fine.
The spec of hope in a world full of darkness. That… is who she was.
Read more "NONFICTION: DeAngelo Maestas – Untitled"
POETRY: MARY DEZEMBER – STILL HOWLING & ENDNOTE TO STILL HOWLING
Still Howling
For Galaxy Dancer
I
I see the best souls of my sex thrive despite the madness,
defiant Aphrodites rising above the sea,
naked in their wakefulness, determined to love in the charge of night
and the terror of the day,
deciding once again to abandon the search for the soulful man
after yet another set of promisepromisepromise
tips the dominos of stated love
into a dynamic display of arcane art,
cascading into a fluid falling
of each word promisepromisepromise caress kiss
fuck
from the men
who, for three weeks, call and text and relentlessly
text and change
their plans so they can drive across town
and fly across continents to see us
only to soon mysteriously forever disappear,
who devote their lives to a higher calling, meditate, pray then
lash out angrily when we ask a question,
who, while holding our hands and kissing our cheeks verbally twist
our arms behind our backs and nip our cheeks,
holding mirrors to our faces and ranting at us
that we are their relentless demanding debilitated mothers,
who have environmentally-safe companies, off-grid homes,
and work against proliferation to keep the world a place,
sitting late into the night with grieving families,
but slam the gavel to the bench in the pronouncement
that we are selfish and demanding when we ask to be held
after a day we spent helplessly watching human sacrifices by
the gods of business and have realized finally that each
sacrifice was us,
who vow they will be there for us but won’t return calls or texts
even when our closest family member has just died,
who have children they want us to raise, children whose mothers
escaped through the vacuum cleaner,
who, with blood perpetually drying under their fingernails,
doggedly beget war,
marching our courageous and caring
sons and daughters
into the family business and even into its copiers and
shredders,
who bring prison with them in their assertion they were protecting
their families from invaders, dealers, and the IRS,
who visit the Dali Lama, chant on mountain tops,
embrace the dawn of the equinox on the apex of a Sedona
rock in the midst of a vortex
by running up their wives’ credit cards then vanish
into the evening mist,
who profess their love but refuse to hide their dating profiles on
matchdotcom, okcupid, greensingles, matchmaker, loveforever
dot org, dot net, dot com, dot com,
dot we do not communicate,
claiming these are mere social networking sites,
they just want to meet new friends,
and say we are selfish and have no right to expect their
profiles to be hidden, and, by asking, have now ruined the
perfect night of sex and spooning we just shared,
who meet us for coffee and after only this once, because we don’t
want to meet them again, call and text and email inexorably,
harassing us with venom and nasty,
who hit us in the adolescent classroom, calling us crater face
because we mature with pimples,
who bully with questions and accusations every time we step outside
our doors,
who tell us what to do with our homes, yards, jobs, lives, children and
claim they are just being neighborly,
who boldly ask us to come to Boulder, and we drive to Boulder, and
after we arrive in Boulder, they no longer want to see us,
and we sleep alone in a sad motel in Boulder,
who with sweet breath of desire tell us they will count the times we
make love, then
we discover they can only count to one,
who patiently date us laugh touch kiss and smile for a few months, no
sex yet, so we can be sure, then after finally making love say
this was a mistake,
who on our honeymoons say this was a mistake, no not the trip
to the tropics or the tower or the falls, we are the mistake,
who, with fatherly, brotherly, uncle-y advice, tell us we are naive and
stupid to believe what men say,
and we wonder what kind of world this is
that gives the message to males that it is smart to lie
but gives the message to females that we are stupid to
believe men, stupid, stupid, stupid, I believed him —
how about the message to everyone that your word
should be true and on your honor so you can be honorable?
who see us as prey when we reach age 10, taking our childhood,
never do we get to be a non-sexualized person,
who, on occasion, stop leaking faucets, kill people-devouring spiders
but freely distribute advice, solutions, STDs . . . and babies —
ah, Galaxy, we are not safe, but we are resilient, in ways that our
mothers from forever
past must have also known,
as they forgave while being burned at the stake, their flesh
searing,
prayed before putting their heads to the block, bracing
before being slammed and ripped with the furious steel rod
weapon,
which made the ripping and hand-muffled
screaming beyond the limits of what should be known,
escaping into a mental abyss before thuds and blows to the
faces,
blows to the stomachs, blows to the breasts,
blowblowblow
and too much of that still happens to our sisters.
II
And what of our daughters?
The Machinery of Balls, soccer balls, baseballs, volleyballs,
golf balls, tennis balls, rugby balls, racket balls,
balls balls balls and of hockey pucks, of fucks
and of cock
built of titanium and diamond, built in the basement labs
of Los Alamos and sometimes in homes,
is nearly invisible — it takes eyes beyond the spiritual to see
it; it is easier to feel it,
and now that our daughters are allowed to run on courts and fields,
they sense this Machinery with a mixture of caution and
familiarity
and even guardianship,
and we, the mothers, sisters and aunts,
want to warn, inform and protect them and to protect men, too,
because men, too, are caught in this Machinery,
and we have sons and grandsons and brothers and fathers and
grandfathers and nephews and cousins and uncles and
friends whom we love,
and it occurs to me that we are all of this Machinery, I am of it, too;
it is the world of balls, for the world is a ball, too, in a
universe of balls,
some are hot, searing, rotating, some appear cold and static,
but a Machinery of Balls like
the pitching machine, and we must
be prepared, as our daughters are prepared, to swing to
survive the blows when the
Pitching Machine starts pitching softballs slowly, in the fragrance
of the morning air, dew still freshening the space around the
cage, we still slender in our short white shorts,
we are ready to learn the game,
Pitching Machine quickens as balls spin toward us, we batting at
them, deflecting some and dodging most, and the Machine’s
arm shoots, then shoots, then shoots
more rapidly, balls shoot at us ballsballsballs
ballsballsballs and what has happened to this fucking machine
it is broken and relentless in throwing balls at us
and these are hard balls, balls of iron, of steel, of stone, of
titanium and muscle, rarely of diamond,
thud thud thud thud thud to the head and we are locked in the cage
and bruised by balls but we are still standing
thud to the breast, thud thud thud to the heart, thud again to the
heart,
thud to the thighs, thud to the pubics, and now red
stains our white shorts and we start to howl,
and I am still howling as the
Pitching Machine pitches more hardballs, then it starts pitching
soccer balls, tennis balls, racquet balls, golf balls,
and everything spherical —
marbles, oranges, furiously at us comes balls of yarn,
snow balls, and a planet called Cockland, pitched at us,
and we take it, the world we know,
the whole planet of Cockland,
absorbing Cockland into our blood,
and my daughter says there are too many balls in my poem,
and she’s right, that is exactly the point,
there are too many balls in my poem.
III
Galaxy Dancer! I’m with you in Cockland
where you’ve stayed saner than I have
I’m with you in Cockland
where we love men yes we do
and we love their bodies geometric hard muscular
the safety of chests and the thrill of erections
I’m with you in Cockland
where I spend one more night in bed
with my computer and my cat and with Allen and with Walt
and his loving bedfellow God
I’m with you in Cockland
where I thank Allen and Allen knows
that I am grateful that he gave us this form to express
ourselves and my bra’s off to you Allen and this is an
homage for I am alive serious and I know you will cheer
for me from Heaven where this poem is published with
yours and many others because you gave us the form
that I at this moment christen
The Howl Form
and you gave us the right the freedom to howl so that we
too can howl
And don’t you reader or listener in the audience
have at least one thing to Howl about? So let’s sing our
praises of thanksgiving
to Allen by howling which I am doing by Still Howling
I’m with you in Cockland
where I thank Walt and Walt knows
don’t you Walt that I am thankful for the free long-legged
long-winded long-armed lines circling and hugging our
waists and embracing the expansive freedom to express
freely and expansively in repetitious verse
I’m with you in Cockland
where the system and its people and our
fathers husbands brothers uncles co-workers supervisors
bosses lovers and friends still have 525,600 ways
to tell us to shut up which is one way for each minute of
each day of each new year
I’m with you in Cockland
where men and women have given and continue to give
their lives in courtrooms and prisons and to death so that
we can be free
to write and speak and howl even if
the words are about Cockland
I’m with you in Cockland
where we love men love men love men
love them love men we do
but just because we love them so much doesn’t mean
we need to be quiet
I’m with you in Cockland
where once a famous male poet
after hearing me read poems now in my debut book of
poetry said You are writing a new kind of female poetry:
It is obvious you’ve been hurt by men, but you love them.
You are not writing angry poetry
and it is true: I am not angry
I am just saying
I’m with you in Cockland
where I am just saying where you are just saying
where he is just saying where she is just saying where we all
can just say though I once was quiet and still as a little
mouse while inside I was howling but because of
Allen and the City Lights that are the brightest I am now
howling and I am no longer still for I am loud howling and
with this I am Still Howling
I’m with you in Cockland
because for now this is the only place
to live our lives and life is amazing incredible beautiful
regenerative exciting shining and glorious
and even in Cockland this is my moment
this is your moment and no one can take the glory of that
unless we give it to them
I’m with you in Cockland
where I will die and I am not afraid to die
I just prefer to live
I’m with you in Cockland
my sister
where you persevere
come what may
without real health care with few opportunities
with no more than minimum wage yes still working harder
than our male counterparts for less
recognition and less pay
we survive on crumbs falling from the master’s table but we
are not lap dogs and we are making our way
to speak at the banquet and to remake
the table so that it is round
I’m with you in Cockland
where we hug and kiss and caress our men
in the beds they’ve made
the men who snore all night and won’t let us sleep
Men, keep your underpants on, we’re free! We’ve had enough of
Cockland. Try giving us something new and find within you a
nakedness and love that manifests in ways beyond the body,
way beyond the cock.
My soul-full infinite sister,
I’m with you in Cockland,
where I see you dancing above me through the galaxies,
weaving barefoot tracks in the cosmos
and in the celestial sand
as you continue your universal global coastal dance
to my skiff, moored on the shore
of the un-navigable ocean of hegemonous men.
Albuquerque, 2011 – 2016
Endnote to Still Howling
Forgive, forgive, forgive, forgive, forgive, forgive, forgive, forgive,
forgive, forgive, forgive, forgive.
The body needs forgiveness, the mind needs forgiveness, even
the good ole soul in all its devoted goodness, lamenting and loneliness needs forgiveness, and the spirit,
crazy journeyer, needs
forgiveness.
Forgiveness is a different Realm.
We are here to populate that Realm.
Forgiveness helps everyone, the world, each cell of our being
human,
For what are we without forgiveness?
Yes, what are we without forgiveness?
Beasts that tear at one another, digging for the heart with our
incisors, digging to destroy the heart of the other, digging
and tearing
into our own hearts?
And in spite of being trained to believe otherwise,
humans do not have to be beasts —
we are not animals; we are human, meaning humane.
Break training: Forgive.
We hurt one another; in spite of our best attempts to do otherwise,
it happens — we hurt one another, so
Forgive and create a space for connection and for breathing
and for not walking on a planet of broken shells;
instead,
let’s walk on oceans.
Humans, let humans be human.
Man, Woman, the human step is compassion.
The superhuman step is forgiveness,
And then, Superman, Superwoman, we fly.
We’re closer to the divine than we know.
Forgive and forgive.
Forgive everyone, and everything, that makes you want to
howl.
Forgive everyone, and everything, that makes you howl.
Forgive Cockland in all of its self-made glory.
Cockland, forgive.
Forgiveness is the vehicle to the Land of Miracles —
Forgive and be
the alchemy.
Ask to be forgiven.
Yes, ask others to forgive you.
Forgive life and what it gives you.
Forgive God.
Forgiveness releases you
and gives you song.
Practice forgiveness with every breath
so that at the moment preceding death
you will be forgiving.
Mostly,
look into the mirror and say,
I forgive you; I love you,
Then live in the miracle
of love’s reflection.
Albuquerque, 2014 – 2016
~
Poet’s Note: “Still Howling” and “Endnote to Still Howling” are an homage to Allen Ginsberg and to his poems “Howl” and “Footnote to Howl,” in celebration of their publication 60 years ago, in 1956, and are a tribute to his publisher, City Lights Publishers, and to Allen’s influences, namely Walt Whitman, but mostly to Allen and what he gave us —the right to howl.
“Still Howling” and “Endnote to Still Howling” are the First Place Winner of the Best Beat Poem Contest, 2016, sponsored by Beatlick Press.
They will appear in the soon-to-be-released book
Still Howling, Poems by Mary Dezember.
Read more "POETRY: MARY DEZEMBER – STILL HOWLING & ENDNOTE TO STILL HOWLING"
REVIEW: On that one-way trip to Mars – Marlena Chertock
On that one-way trip to Mars
by Marlena Chertock
Bottlecap Press, 2016
Marlena Chertock has published a book of poems that is a tour of our solar system. Not a museum tour or a virtual tour, but a mind tour where our imagination gets to find the “thinnest, softest pads to lay its paws on.”
The title of Chertock’s debut collection is On that one-way trip to Mars. When you go to Mars, why can’t you come back to visit Earth? What if you don’t like it? Don’t worry, if Chertock is with you there’ll be a pleasant balance of narrative and science. She’ll tell you the story of teeth chattering themselves right out of a mouth. She’ll steer you through fog, shadows and fire. It’s OK, she knows the way.
What most impresses me with this collection is the crafty ordering of the poems. For example, there will be several poems about illness, and then a seemingly unrelated one. When I linger between the pages, I see the seemingly unrelated poems merge into satisfying allegories.
Other times the connections between the poems are more obvious, but no less enjoyable. In the title poem a person can’t go to Mars because of a bone disorder, in another poem a person can’t go to a funeral because of a period. The red planet + the menstrual cycle = bosom buddies. I hadn’t known.
This book is a mix of detail, dream, David Bowie, confession, resolution and healing. It will take you from the periods of Mars to the Great Red Spot of Jupiter, to a man stabbed for an iPhone, his blood “staining the Metro carpet.” It’s a trip, and I don’t mind never coming back.
Order Marlena Chertock’s book here.
~
Review by Jim Thompson of Cacti Fur.
Read more "REVIEW: On that one-way trip to Mars – Marlena Chertock"REVIEW: LOST ON MY OWN STREET – TIM STALEY
Review of Lost on My Own Street by Tim Staley (Pski’s Porch, 2016)
Review by Kyle Flak
The exciting thing about small press poetry is that anything is possible. There are no strict rules. The artist is completely free to do as he or she likes without worrying about what the big mainstream institutions will think.
Tim Staley has for years been the editor of Grandma Moses Press in Las Cruces, New Mexico. For five dollars, a customer can receive by mail a tiny delightful chapbook of unique and wild poetry accompanied by weird and wonderful drawings by the editor. The chapbooks, of course, never hit the New York Times bestseller list or get the attention of major superstars, but they always contain good honest poetry–poetry written by people who honestly love poetry for its own sake.
Now Tim Staley has his own full length collection of poems out from an equally exciting small press publisher, Pski’s Porch. As someone who loves all aspects of books, I will say that Lost on My Own Street by Tim Staley is a beautiful book in every way.
First of all, the cover art was done by the author himself and it is a whimsical sea blue dream of a cover, clearly illustrating the true joy of being a small press poet. The image is of a jolly dandy of a man strolling down the street with a marvelous cloud of daydreams floating above his head.
Of course this book reminds me of the first edition of Leaves of Grass, a volume of poems that Walt Whitman self published and aggressively self promoted all because he believed in the dream, the dream of saying what he really needed to say, the dream of sharing his most important messages to the world. It seems that no matter what anyone personally thinks of Walt Whitman, he will always be The Original Small Press Poet.
Staley’s poems are sincere, funny, friendly, unique, and diverse. He does not stick to a single formula, scheme, or gimmick. He writes what he wants to write. He has no ulterior motives. He is not thinking about what the authorities will say about him. He is someone I am happy to place on my list of New Walt Whitmans to Definitely Pay Attention to Who Boldly Go Wherever They Want to Go.
In a poem called “The Waiting Game” Staley writes, “Vikings never ask are we there yet, / they just scan the horizon, armored hips against the railing.” I think that sums up his poetry and the joy of being a small press poet pretty well. In the world of small press poetry, one writes purely for the joy of writing without asking for approval or money or fame. One writes for the thrill of it, the exploration of it, the pure adventure of it.
It is in this spirit that I highly recommend Lost on My Own Street by Tim Staley. It reminds us all of what’s truly important–that original “carpe diem” thrill of just reading and writing poems for the fun of it.
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Kyle Flak’s debut poetry collection I’M SORRY FOR EVERYTHING IN THE WHOLE ENTIRE UNIVERSE is forthcoming from Gold Wake Press.
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