USA
POETRY: PEACH – Robert Beveridge
POETRY: before we’re done – Robin Wyatt Dunn
before we’re done
Here now, after there, and before we’re done:
Los Angeles, tossed into the wormhole, kept inside the confessional,
nailed to the sidewalk by angry Korean locksmiths, shouting:
“Jesus! Jesus! Jesus! Jesus!”
The ultimate mindfuck.
Give me your ultimate mindfuck, and I’ll show you the key, out of reality.
We all know it here:
Like Depeche Mode says, one caress, and I’m blessed:
Shivering under the freeway
Standing near a beautiful woman
Getting a new apartment
Going to a show
Standing in a large party
Under the shadow of the Scientologists
Under the shadow of the night.
Give me the shadow of the night, for I am thirsty, and my long wait
must be rewarded.
Let me drink.
(Ohhh)
It is too delicious. What did you put in it, Los Angeles?
You fucking drug pusher. Pimp.
Give me the night and all its names.
Tell me: am I still wanted?
Am I still needed?
Fight me.
Fight me.
Fight me, fandangle me. Fear me for the flour we’re grinding, hum dee
ho, rum rum:
As Pee Wee Herman observes:
Micka Licka Hiney Ho
And this koan describes a large portion of Los Angeles: ass lickers,
of course, but more, as they transform it into a mystical right . . .
We know Christianity was built by Roman Emperors to fuck Israel.
It is possible Islam was built by Israel to fuck them back.
Or maybe that was Hollywood.
Dream with me, of the long delivery
And dream with me, of the midnight flash
Come calling at midnight
Left drinking at midnight
Turned toward at midnight
Whose name was eternal
Whose light was an ocean
Who danced
Hum hum hum
Who danced
Hum hum hum
Who was it took the name from the mountain and put it on your forehead?
You terrible mark
Terrible day
Like Cain
We are a city of Cain’s children. All right. All right, fine. I can
dig it, indeed, move it, wheelbarrow it and reassign it in the
categories of meaning to something fruitful, once we are singing
Give me the long delight
In the rain
Kill Hollywood with me, with each of our long knives
If Titus can do it, so can we
Let’s fuck Israel together
And Rome too
Fuck Mecca, and fuck Uruk for good measure, and Gobekli Tepe
Like Ginsberg says, it’s all holy, baby.
The asshole too.
Still, some things are more holy than others . . .
Give me the long division
In the long breeze
Give me the long night
To open the curtain
I am the curtain
This is a temple
Our cult is holy
And there is no night or day
I am not alive
Or dead
I am just barely breathing
Our voice is a thousand suns
And Los Angeles is our plaything
If only for an hour
A day
A week
Five months, at the outset
Give me the strong production schedule
Order twenty pints of blood
Polish your hair
I am rehearsing my lines
We have no need of money
We have honor
Even Cain’s children have honor
Even the voiceless are stars
Burn with me, the permanent midnight
Underneath the freeway overpass
Burn everyone
Burn Tom Cruise
Burn Natalie Portman
Burn our most beloved, anyone you can name
Anyone of our city you can name
Burn them
Burn them
Burn these princes in their holy vestments
Blacken the night with their song.
Blacken the night with me,
And I’ll hold you close
Take me to the river
So we can howl
I am breathing some night I have never seen
Out of the water I can see the stars
~~
This poem was first performed at Second Sunday Poetry in North
Hollywood, September 11, 2016.
~~
Visit Robin Wyatt Dunn online.
Read more "POETRY: before we’re done – Robin Wyatt Dunn"POETRY: WAITING ROOM BLUES – JOHN GREY
Waiting Room Blues
I wish there was something worth reading
but the doctor’s waiting room
is like a home for unwanted magazines,
ancient People with pages torn out,
a scraggy looking Sports Illustrated
previewing a world series that was played
months ago.
And then there’s the medical rags,
every sickly base covered
by glaring ads with grinning people
pushing every drug on the market.
Toss in the persistent cougher two seats
down from me and the woman whining
because her appointment’s already
twenty minutes overdue
and you have a whole other disease
that I, unfortunately, can’t help catching:
a low grade virus incorporating
a lack of faith on the part of the medical profession
in the interests and mental aptitude of their patients
crossed with a waning enthusiasm
for my fellow unhealthy human beings.
The only cure that I know of
is a nurse calling out my name
and a doctor poking down my mouth,
listening to my heart beat
and making me deep breathe.
In the MD’s knowledgeable hands,
I can be sicker than I’ve ever felt in my entire life
but oh so much better for it.
Read more "POETRY: WAITING ROOM BLUES – JOHN GREY"POETRY: BAPTISM – Erren Geraud Kelly
Baptism
A sea of ushers in white
led me to the water
piano, organ and voices
surrounded the room with
fire
it was the god of my father
and my mother
like the river, cleasing her
as a young girl
Before god
my life was a blur
of childhood dreams and wishes
and then one day, i got the
call
I stood still, as if
nothing else mattered
like a film negative
being developed
god revealed truth to me
The world became insignifigant
as the baseball i played
with
The ladies in white
lead me to the water
i step in like a negative
waiting for truth
to reveal itself to
me
Fearing nothing
to begin again
FICTION: Good Lookin – S.F. Wright
Good Lookin
I heard about her death five years after I quit. She was a heavy woman who dressed in tacky clothes; they looked like they’d been purchased at a yard sale. She kept her long brown and gray hair tied in a ponytail; she never wore makeup.
My friend, who still works at the bookstore, emailed me a link to the obituary. I don’t know why; I barely knew the woman. She was just someone who frequented the store.
At first I wasn’t even sure to whom he was referring.
I read the obituary, but even after I gleaned the information- she was 64, taught high school English, never married, was survived by a brother- and reread her name, I had no idea who this was.
You remember, my friend’s next email said. The heavy, round woman. I couldn’t picture her.With the pony tail. Wore those awful clothes. I still wasn’t sure, but an image started to form.
Always called the male cashiers Good Lookin.
Now I saw her, as clearly as if I’d seen her that morning.
So her name was Sally Jenkins.
I could never stand her. When she was in line, I’d intentionally ring more slowly so she had to go to another cashier. But sometimes I was the only one at the registers. Then she’d come over with her smile, and I had no choice but to ring her up and listen to her.
She spoke in platitudes and clichés. But her most annoying expression- and she only used this with male employees- was Hey, good lookin.
I don’t know why this appellation annoyed me so; it wasn’t insulting- if anything, it was complimentary in a folksy way- and it’s not that it embarrassed me (and, as I get easily embarrassed, there are a multitude of other things she could’ve addressed me by that would’ve done that). I don’t think it was those words as much as it was those words coming from that face; the combination just irritated me.
Good night good lookin, she’d say after I rang her up (despite the fact that she was (as I learned later) an English teacher, she bought mostly romance novels), and she’d give me her smile, no matter how badly I’d fail at returning my own.
Though I’m fairly certain there were times I liked working at the bookstore- there had to be, right?- most of my memories from that place are of misery and endurance. The more I worked there, the more I disliked it (I’d come to despise the place by my last year); so my most recent- and, hence, most vivid- remembrances are consequently the most disconsolate.
I disliked the customers; I hated the hours; I resented how poorly we were paid; I abhorred fighting for a parking spot on Saturday afternoons.
My best memory from the bookstore, on the other hand, is the day I quit.
A new store manager- the fifth I’d had- hadn’t cared for me and was looking to get rid of me. I didn’t like him either or- again- my job at all by that point. Soon after this manager started, I missed four days without calling out. He phoned my house. Before he asked anything, I said I quit.
It wasn’t a dramatic scene from a movie, with my telling him off and storming out (I was on the phone, after all), but it felt good nonetheless. In fact, it felt great.
All those year I’d wanted to leave, and with two words, I was gone.
———-
I worked at a tutoring center for a while and enrolled in grad school. Upon completing my degree I found work as an adjunct professor. I loved the work- or at least I loved it compared to the bookstore- and my enthusiasm and dedication were such that I was hired fulltime. But the position only lasted one semester; afterwards I returned to adjunct work. And soon I hated being an adjunct as much as I hated working at the bookstore.
But it was a different kind of hatred: in the bookstore, there’d never been a future; at the college, there’d been one, but it had been snatched back.
I decided it was again time to move on. I ended up doing- even though I didn’t know this at the time- what Sally Jenkins did: teach high school English.
I’d been a high school teacher for two years when my friend sent me the email.
I’m now 37; Sally Jenkins was 64, which means all those times she called me Good Lookin I was around 20 to 30 and she somewhere between 47 and 57.
But why think of these things? They don’t matter.
What matters is that my high school job is starting to grate on me, even though it hasn’t done so completely. I’m making more money in the public schools than I’d made at the bookstore, tutoring center, or college (even as a fulltime professor), but if you’re miserable, or sense you’re going to be, what does that matter?
It angered me somewhat that my old coworker sent me the email about Sally Jenkins, a woman I only knew peripherally. It annoyed me that I remembered her face and her voice saying good lookin.
And it especially infuriated me that my friend thought I’d be interested.
I read the obituary- a couple of times- but it was with voyeuristic curiosity rather than concern.
I don’t like looking into the past, particularly my own. It doesn’t take you anywhere positive. All it leads to is what you’ve divulged about yourself to others, and sometimes- and who needs to know this?- what you’re revealing to yourself now.
–
Read more "FICTION: Good Lookin – S.F. Wright"POETRY: DOWN TO THE WATER – HOLLY DAY
Down to the Water
I close my eyes and turn left. I feel the sand beneath my bare feet
the splash of imaginary fish beneath the drunk, full moon
the thin screech of seagulls in the wind. I open my eyes and find
I am still in my back yard, a thousand miles from any beach,
an October lawn crunching beneath my feet
thin, yellow blades of grass stiff with frost.
This is not my home. I can almost smell the sweet salt ocean air
promises of warmer weather in the sanctuary of the car.
Winding cliff roads along rocky beaches call me, half a continent away
just past miles of pro-life billboards splashed with pictures of babies
cryptic, threatening Bible verses that may or may not have anything to do with
the particular stretch of highway they loom over
past miles of barbed wire separating me from herds of cows
flocks of displaced ostriches.
POETRY: THE DROP – LARYSSA WIRSTIUK
The Drop
Never underestimate the power of two
beers, simple carbs, and complex
entanglements: consumption followed by
sex. February shouldn’t be the cruellest
month, but my skin hurts. You followed
me to my apartment and called me “baby.”
An endearment? Enter Hallmark holidays,
pet names. A year later you’re sick
with morning. I’m begging the bed to stop.
I can’t eat Vietnamese spring rolls
without recalling the drop. One moment
you’re sitting beside me on the couch,
and next we’re tied like helium balloons
to an Eighth Street counter. You can
fly, or you feel like you can fly. Never again.
We’re more than just friends. Engraved
on a gold ring are initials, and my initial
reaction is disbelief. We can’t fly
fueled by acai bowls and humidity. Fuck,
don’t mention “summer,” not now, to me.
We’re spending a quarter of the month
in a kinder space, but you won’t kiss
and tell anyone where we’re going.
Read more "POETRY: THE DROP – LARYSSA WIRSTIUK"
POETRY: Béchamel Sauce – Robert Ford
Béchamel Sauce
Somewhere within me I rarely choose to visit,
I suspect this is perhaps not going to work, and
she’s insisting it should only ever be made
with all-purpose flour, though I’ve been
coping fine with cornflour, or store-brand
packet mixes for years, and it comes out OK
three, possibly, four times out of seven.
And everything in her kitchen matches like
it was all bought with a flawless shrug
and a customary swipe of the store card.
But then we share uncannily similar tastes
in music – Wagner, Kid Creole – and I like
the way she likes the way I smell, even if
I don’t. I’m rafted to this quaint belief that
if you put the work in, there’s no limit
to the lumps that can’t be smoothed out.
–
Robert Fold’s blog: Wezzlehead
Read more "POETRY: Béchamel Sauce – Robert Ford"NONFICTION: DeAngelo Maestas – Untitled
Untitled
On the other side of town only a fifteen-minute drive feels so distant. The one place I can always let the world go.
-The place of death,
How ironic, live green grass in the summer encompassed by death and tombstones. The still air as it seems… like time doesn’t matter.
I always know where to go in that little upper left corner. One little spec, in a wave of grey and green, spread on forever like what seems to be infinity. There she is. The stone made into a heart.
One of a kind.
Pink…
A big sunflower engraved on the front with such detail.
I always bring her peanut m&m’s. Always the king size. Never more, never less. If I can, I bring her a sunflower. One with the biggest brown center and the yellowest of petals. I make sure it faces the sun… Just like her taking things head-on.
This place is dark and somber but her pink heart gives me hope. I can still see the black lettering now:
“June 5,1970- September 26, 2010.”
Her last name engraved with the finest of fonts.
“Funck.”
I always do things different just like her. I put the peanut m&m’s in the flower holder. I lay that one beautiful sunflower on her heart. I like to think her actual heart was this big. Loved everyone. Me, my brother, anyone kind. I still hear her voice. Her calm tender touch. I feel it embrace me.
Happiness.
I don’t wanna leave. The place of eternal sadness brings me true happiness. The thought of seeing her again. I run my hand across the stone, say my goodbyes and let her know I’m doing just fine.
The spec of hope in a world full of darkness. That… is who she was.
Read more "NONFICTION: DeAngelo Maestas – Untitled"