POETRY: SETH JANI – SULPHUR OR WOOD

Sulphur or Wood

It’s the first thing upon waking:
The outline of your loss
Like a bare sun in the morning trees.
Before you can even recall specifics
The longing hits you, cold and absolute.
Your own name, still lost in the dark
Of sleep, yet this feeling rising
Through your body
Like a rage or sickness.

It’s the kind of thing you feel
When you realize the best of days
Have passed before you, and you
Missed the music.
Regret so palpable, you can call it
Sulphur or wood.
The simplest of news holds no richness
Against the fiber of this grief.
It moves through your life
Until the world is full of ghosts
In passing.
It burns for no other reason
Than for the love of ashes.
Something in you so quietly razed
That no one at the kitchen table
Can see the chilled fire
Eating at your eyes.

 

visit Seth Jani online

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POETRY: JOHN GREY – HEARING ‘TRANE

HEARING ‘TRANE

 

Back in the dark ages,

before pizza delivery.

When it was hip.

When no one ever mentioned money.

When the club itself

sat like dark candy

in a proffered hand.

 

When we stopped listening the moment

we started listening.

At least, our listening

owed little to our ears.

They said you’d never hear the music

over the bar-tenders

harassing the customers

to buy more drinks.

So impossibly new to this,

we didn’t hear the bar-tenders.

First time, Suze and I

had ever been some place

more black than white.

Soon learned sweat is color-blind.

 

And ‘Trane on stage,

place so cramped

there was nothing to

know but music,

but how spit and metal

made it so,

that latest version of his band

with Tyner and Garrison and Elvin Jones,

names that, even then,

I couldn’t match with people,

that were more like departure

and arrival points on the same

weird train schedules,

that hustling locomotive

that didn’t know a side-track

from a main-line,

that swept them all in

to its steamy fury,

with that tenor sax-man

shrieking the whistle,

stoking the coals,

pushing his foot so hard down on the accelerator,

his face hear popped its veins.

 

The joy of a dark night’s endlessness –

time, itself a solo, teasing us with the way

it only seems to go in order –

where sense takes a cigarette break,

where each crisis is met by a top-this passion

by virile note after note after note

and the shot-glass glimmer –

and the edge, the rapturous edge,

where angels think wings, play licks, where

the wildness obeys his lips, his sound where

we hold hands, we hold the rhythm together

until that’s all but impossible

but then let go so hard, so fierce,

we catch up with it anyhow

but just our hearts up and down,

their own pentatonic scale,

the joy unmuffled,

the word “exude” built there and then

from jazz’s stark phonetics,

the whiff of everything

that is not a drug

that acts like a drug

sometimes looking down

requiring a leap of faith even

to identify our own bones.

 

A night, with no oxygen,

that grabbed its air from other sources.

A night where the one I was with

was just one of the many I was with.

Did Elvin and ‘Trane really stretch that for an hour,

the one riff like this one life

boiled down, broken up,

remade in all its possibilities?

And Suze?

We went there to learn to love

but not to love each other.

Sorry…I just didn’t remember

who said “Give me a call.”

A night with nothing I would change.

A wanting, a deliverance, and its own soundtrack

 

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POETRY: Barbara Ann Meier – TORNADO

Tornado

When white sunlight

hits hail, scatters

the narrow beams

of light,

they plank the sky

in hues of eerie yellow.

 

Ping-

ponging

off each other-

a game of pinball,

igniting lights

with each slam.

 

In that engulfing gloom,

the bruised sky,

full of broken veins

of light,

pool

into violently spinning air.

 

The fat finger of death

curls its way to dirt-

wedging itself downward.

 

Mesmerized

by power flashes,

I strain to glimpse

the finger of God.

 

In that frozen

moment-

thoughts on internet

waves,

Doppler Radar

pinging velocity

across the plains,

I see where the blue turns to black,

and roars to silence.

 

The neutrality of Space,

inert,

a vacuum

that is you.

 

I am gravity,

spiraling earthward-

an ice ball,

burning up

in atmospheric divergence.

 

Face planted to fears,

grounded in a crater

of my own making.

 

In your silence I stand…

watching the approaching supercell.

It surges forward in darkness,

wrapped in rain,

cloaked

from sight.

 

I await the ending-

the surrender,

debris swirling

to the West,

my pieces-

scattered-

 

landing in someone’s front yard…

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POETRY: Robin Wyatt Dunn – BEARING IN & MORNING

bearing in

my cut of the left
deft but poor, now slaughtered down my side
cut in and left
like scarring too subtle to see:

what mooring keeps me here extends around my city
like a strange weather pattern

I didn’t need that part
I needed you

beat me again

—-

morning

This is my life under the drum
ecstatic ruminative celebration of not a whole lot–

Everything’s a miracle but we’re designed to disregard it,
and a good thing too–

I can remember one thought
like God

coffee:

—-

Visit Robin Wyatt Dunn online.

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POETRY: JESSI LAIL – ANTIQUE SHOP

Antique shop

Is that what he told you
     he said he would tear you apart
    bit by bit
    and piece you back together with scotch tape
    because your soul wasn’t broken enough to be beautiful?

Is that what he told you
    as he pressed you into a corner
    and covered your rejecting mouth with his?

Is that what he told you when he ripped your best skirt
    as he thrust himself upon and into you
    in the back of that musty, fear-stained
    2001 Toyota Camry.

Is that what he told you
    that you were the best lay he’s ever had,
    it’s a shame you couldn’t be prettier?

What did he tell you
    when you walked away from that tragedy of a bed
    and rejoined your friends inside?

Did they tell you they would kill to be with
    a guy like that?
Did they tell you how lucky you were to be with
    a man like him?
Did they ask what he smelled like?
    the smell that makes you wretch,
    the fragrant scent of violation,
    the musty 2001 Camry’s fear-stained upholstery.

Is that what we told you?
    That you were an antique paper doll?

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POETRY: A.J. HUFFMAN – THE SOUND OF A SKIRT

The Sound of a Skirt

falling is an earthquake
of anticipation, silence. Silk,
like an avalanche, consumes the room
in suffocating embrace. Words give way
to flesh. Touch becomes
language of stuttering
midnight. Motion ignites. Two bodies
whine as this fabricated flag
and all inhibitions hit the floor. Contact,
consumption, and eruption are inevitable
as dawn and the sex-
stained tendrils of smoke that temper its mood.

A.J Huffman is founding editor of Kind of a Hurricane Press: www.kindofahurricanepress.com

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POETRY: KATIE GOETZ – THE JUDGE

THE JUDGE

I tried to wrap my words around you
too hard for too many weeks
with too little success.
The right ones found me
when I remembered a phrase
I heard an out-of-town judge turn
all those years ago
at the county fair.
In giving his reasons
to the crowd in the bleachers,
he explained why
he hadn’t placed my steer —
an athletic black baldie
with a mercurial temper —
any higher in the class.
The judge slowed his words
over the tinny old PA:
“He’s got some real nice parts…
He just dudn’t tie together
quite the way I need him to.”

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POETRY: KYLE FLAK – CARNIVORE DOLLS

CARNIVORE DOLLS

             After tuba practice, I went to the mall to look at Carnivore Dolls.  I’ve got:  The Bobcat, The Crab Eating Mongoose, The Eurasian Badger, The Ethiopian Wolf, and The Giant Panda.  I ain’t got:  The Bush Dog, The Aardwolf, The Spotted Hyena, and multiple various others.  My Dad only lets me get one at a time, which is totally lame.  Johnny Bronson just gets the whole damn Annual Set mailed to him year after year after year–the lucky bastard.  One of these days, I’m just going to run away from home, become my own Carnivore Doll, eat whatever stuff gets in my way.  Mailbox:  chew, chew, chew.  Ice Cream Truck:  chew, chew, chew.  Homework:  chew, chew, chew.

             Yeah.  Chewing’s good.   But now I’ve got to decide what I’m going to tell that crummy old man who sits behind the counter.  The one who really controls my fate.  The one who can either let me or not let me play with the European Pine Marten right in the store.  That thing is fucking great.  He’s feisty.  He’s moody.  He’s grouchy.

             He eats rodents, birds, and beetles.   Also:  he’s an excellent tree climber.  Whenever I get to play with him, I make him climb all over the fucking place.  He gets on people’s sweaters.  He gets on people’s heads.  He taunts and flaunts.  He coasts and boasts.  His fur is brown and full and lush.  You really wouldn’t want to get on his bad side because even his good side is basically a bad side. 

             Yup.  He’s one rough dude.

             I really hope that I will get to play with him today.  Play with him for own particular purposes. 

             Which basically are:  to harm. 

             To harm and to harm and to harm.

 

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POETRY: Keith Landrum – My father’s prayer

My father’s prayer

It usually starts
with heavenly father
and then goes
into asking
him to make
the food do all
the things food
will do
on it’s own

like taste
good
and digest
in our guts

I stare
at my shoes
and am reminded
I need
new ones
that will do
all the things
they were designed
to do
as well

like be
durable
comfortable
stylish

and the prayer
continues without
asking for anyone
to be punished
by wealth
or blessed
with poverty
the way our lives
so often
are

like capitalism
or the way
we look at
ourselves
in the mirror

and it usually ends
with the same
simple word

amen

and we let it
be

as if
there were
no other
way

to get
through
this

 

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POETRY: JACK FREEMAN – DECISION THEORY

Decision Theory

I understood its meaning
to the extent
required of conversation
in the cocktail pools
and heavy-air parlors,
but an explanation
would test the water
and prove me
thin.

And when a woman
in white silk
leaned over and breathed
vapor in my face,
asking for my opinion
on the very subject,
I answered in a cloud
with no edges.
She inhaled my words,
held them in,
and blew them out
in satisfaction.

And when we were done,
she lay on her stomach
and in misty breath
processed my words,
picking and pulling
them apart like
papier-mâché,
determining
just how full of shit
I really was.

And she clothed herself,
leaving without her
electric tobacco.
I lay on my back
exploring the pattern
of plaster in the ceiling.
There were truths
in that ceiling; how
the light from the street
drew disjointed, scraggly
shadows that faded
by dawn.

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