POETRY: before we’re done – Robin Wyatt Dunn

before we’re done

Here now, after there, and before we’re done:

Los Angeles, tossed into the wormhole, kept inside the confessional,
nailed to the sidewalk by angry Korean locksmiths, shouting:

“Jesus! Jesus! Jesus! Jesus!”

The ultimate mindfuck.

Give me your ultimate mindfuck, and I’ll show you the key, out of reality.

We all know it here:

Like Depeche Mode says, one caress, and I’m blessed:

Shivering under the freeway

Standing near a beautiful woman

Getting a new apartment

Going to a show

Standing in a large party

Under the shadow of the Scientologists

Under the shadow of the night.

Give me the shadow of the night, for I am thirsty, and my long wait
must be rewarded.

Let me drink.

(Ohhh)

It is too delicious. What did you put in it, Los Angeles?

You fucking drug pusher. Pimp.

Give me the night and all its names.

Tell me: am I still wanted?

Am I still needed?

Fight me.

Fight me.

Fight me, fandangle me. Fear me for the flour we’re grinding, hum dee
ho, rum rum:

As Pee Wee Herman observes:

Micka Licka Hiney Ho

And this koan describes a large portion of Los Angeles:  ass lickers,
of course, but more, as they transform it into a mystical right . . .

We know Christianity was built by Roman Emperors to fuck Israel.

It is possible Islam was built by Israel to fuck them back.

Or maybe that was Hollywood.

Dream with me, of the long delivery

And dream with me, of the midnight flash

Come calling at midnight

Left drinking at midnight

Turned toward at midnight

Whose name was eternal

Whose light was an ocean

Who danced

Hum hum hum

Who danced

Hum hum hum

Who was it took the name from the mountain and put it on your forehead?

You terrible mark

Terrible day

Like Cain

We are a city of Cain’s children. All right. All right, fine. I can
dig it, indeed, move it, wheelbarrow it and reassign it in the
categories of meaning to something fruitful, once we are singing

Give me the long delight
In the rain

Kill Hollywood with me, with each of our long knives

If Titus can do it, so can we

Let’s fuck Israel together

And Rome too

Fuck Mecca, and fuck Uruk for good measure, and Gobekli Tepe

Like Ginsberg says, it’s all holy, baby.

The asshole too.

Still, some things are more holy than others . . .

Give me the long division

In the long breeze

Give me the long night

To open the curtain

I am the curtain

This is a temple

Our cult is holy

And there is no night or day

I am not alive

Or dead

I am just barely breathing

Our voice is a thousand suns

And Los Angeles is our plaything

If only for an hour

A day

A week

Five months, at the outset

Give me the strong production schedule

Order twenty pints of blood

Polish your hair

I am rehearsing my lines

We have no need of money

We have honor

Even Cain’s children have honor

Even the voiceless are stars

Burn with me, the permanent midnight

Underneath the freeway overpass

Burn everyone

Burn Tom Cruise

Burn Natalie Portman

Burn our most beloved, anyone you can name

Anyone of our city you can name

Burn them

Burn them
Burn these princes in their holy vestments

Blacken the night with their song.

Blacken the night with me,

And I’ll hold you close

Take me to the river

So we can howl

I am breathing some night I have never seen

Out of the water I can see the stars

~~

This poem was first performed at Second Sunday Poetry in North
Hollywood, September 11, 2016.

~~

Visit Robin Wyatt Dunn online. 

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POETRY: WAITING ROOM BLUES – JOHN GREY

Waiting Room Blues

 

I wish there was something worth reading

but the doctor’s waiting room

is like a home for unwanted magazines,

ancient People with pages torn out,

a scraggy looking Sports Illustrated

previewing a world series that was played

months ago.

And then there’s the medical rags,

every sickly base covered

by glaring ads with grinning people

pushing every drug on the market.

Toss in the persistent cougher two seats

down from me and the woman whining

because her appointment’s already

twenty minutes overdue

and you have a whole other disease

that I, unfortunately, can’t help catching:

a low grade virus incorporating

a lack of faith on the part of the medical profession

in the interests and mental aptitude of their patients

crossed with a waning enthusiasm

for my fellow unhealthy human beings.

The only cure that I know of

is a nurse calling out my name

and a doctor poking down my mouth,

listening to my heart beat

and making me deep breathe.

In the MD’s knowledgeable hands,

I can be sicker than I’ve ever felt in my entire life

but oh so much better for it.

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POETRY: BAPTISM – Erren Geraud Kelly

Baptism

A sea of ushers in white
led me to the water
piano, organ and voices
surrounded the room with
fire

it was the god of my father
and my mother
like the river, cleasing her
as a young girl

Before god
my life was a blur
of childhood dreams and wishes
and then one day, i got the
call

I stood still, as if
nothing else mattered
like a film negative
being developed
god revealed truth to me

The world became insignifigant
as the baseball i played
with

The ladies in white
lead me to the water
i step in like a negative
waiting for truth
to reveal itself to
me

Fearing nothing
to begin again

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FICTION: Good Lookin – S.F. Wright

Good Lookin

 

I heard about her death five years after I quit. She was a heavy woman who dressed in tacky clothes; they looked like they’d been purchased at a yard sale. She kept her long brown and gray hair tied in a ponytail; she never wore makeup.

 

My friend, who still works at the bookstore, emailed me a link to the obituary. I don’t know why; I barely knew the woman. She was just someone who frequented the store.

At first I wasn’t even sure to whom he was referring.

I read the obituary, but even after I gleaned the information- she was 64, taught high school English, never married, was survived by a brother- and reread her name, I had no idea who this was.

You remember, my friend’s next email said. The heavy, round woman. I couldn’t picture her.With the pony tail. Wore those awful clothes. I still wasn’t sure, but an image started to form.

Always called the male cashiers Good Lookin.

Now I saw her, as clearly as if I’d seen her that morning.

So her name was Sally Jenkins.

 

I could never stand her. When she was in line, I’d intentionally ring more slowly so she had to go to another cashier. But sometimes I was the only one at the registers. Then she’d come over with her smile, and I had no choice but to ring her up and listen to her.

She spoke in platitudes and clichés. But her most annoying expression- and she only used this with male employees- was Hey, good lookin.

I don’t know why this appellation annoyed me so; it wasn’t insulting- if anything, it was complimentary in a folksy way- and it’s not that it embarrassed me (and, as I get easily embarrassed, there are a multitude of other things she could’ve addressed me by that would’ve done that). I don’t think it was those words as much as it was those words coming from that face; the combination just irritated me.

Good night good lookin, she’d say after I rang her up (despite the fact that she was (as I learned later) an English teacher, she bought mostly romance novels), and she’d give me her smile, no matter how badly I’d fail at returning my own.

 

Though I’m fairly certain there were times I liked working at the bookstore- there had to be, right?- most of my memories from that place are of misery and endurance. The more I worked there, the more I disliked it (I’d come to despise the place by my last year); so my most recent- and, hence, most vivid- remembrances are consequently the most disconsolate.

I disliked the customers; I hated the hours; I resented how poorly we were paid; I abhorred fighting for a parking spot on Saturday afternoons.

My best memory from the bookstore, on the other hand, is the day I quit.

A new store manager- the fifth I’d had- hadn’t cared for me and was looking to get rid of me. I didn’t like him either or- again- my job at all by that point. Soon after this manager started, I missed four days without calling out. He phoned my house. Before he asked anything, I said I quit.

It wasn’t a dramatic scene from a movie, with my telling him off and storming out (I was on the phone, after all), but it felt good nonetheless. In fact, it felt great.

All those year I’d wanted to leave, and with two words, I was gone.

———-

I worked at a tutoring center for a while and enrolled in grad school. Upon completing my degree I found work as an adjunct professor. I loved the work- or at least I loved it compared to the bookstore- and my enthusiasm and dedication were such that I was hired fulltime. But the position only lasted one semester; afterwards I returned to adjunct work. And soon I hated being an adjunct as much as I hated working at the bookstore.

But it was a different kind of hatred: in the bookstore, there’d never been a future; at the college, there’d been one, but it had been snatched back.

I decided it was again time to move on. I ended up doing- even though I didn’t know this at the time- what Sally Jenkins did: teach high school English.

 

I’d been a high school teacher for two years when my friend sent me the email.

I’m now 37; Sally Jenkins was 64, which means all those times she called me Good Lookin I was around 20 to 30 and she somewhere between 47 and 57.

But why think of these things? They don’t matter.

What matters is that my high school job is starting to grate on me, even though it hasn’t done so completely. I’m making more money in the public schools than I’d made at the bookstore, tutoring center, or college (even as a fulltime professor), but if you’re miserable, or sense you’re going to be, what does that matter?

It angered me somewhat that my old coworker sent me the email about Sally Jenkins, a woman I only knew peripherally. It annoyed me that I remembered her face and her voice saying good lookin.

And it especially infuriated me that my friend thought I’d be interested.

I read the obituary- a couple of times- but it was with voyeuristic curiosity rather than concern.

I don’t like looking into the past, particularly my own. It doesn’t take you anywhere positive. All it leads to is what you’ve divulged about yourself to others, and sometimes- and who needs to know this?- what you’re revealing to yourself now.

Visit S.F. Wright Online.

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